Lies, Newsweek and Control of the Media Narrative: First-Hand Account | Tareq Haddad

“A mafia runs editors. Freedom of the press is dead. Journalists and ordinary people must stand up.”

A mafia runs editors. Freedom of the press is dead. Journalists and ordinary people must stand up.

INTRODUCTION

Until several days ago, I was a journalist at Newsweek. I decided to hand my resignation in because, in essence, I was given a simple choice. On one hand, I could continue to be employed by the company, stay in their chic London offices and earn a steady salary—only if I adhered to what could or could not be reported and suppressed vital facts. Alternatively, I could leave the company and tell the truth.

In the end, that decision was rather simple, all be it I understand the cost to me will be undesirable. I will be unemployed, struggle to finance myself and will likely not find another position in the industry I care about so passionately. If I am a little lucky, I will be smeared as a conspiracy theorist, maybe an Assad apologist or even a Russian asset—the latest farcical slur of the day.

Although I am a British citizen, the irony is that I’m half Arab and half Russian. (Bellingcat: I’m happy to answer any requests.)

It is a terribly sad state of affairs when perfectly loyal people who want nothing but the best for their countries are labelled with such preposterous accusations. Take Iraq war veteran and Hawaii congresswoman Tulsi Gabbard for example, who was the target of such mud slinging for opposing U.S. involvement in Syria and for simply standing up to the Democratic Party’s most corrupt politician, Hillary Clinton. These smears are immature for a democracy—but I, in fact, welcome such attacks.

When the facts presented are utterly ignored and the messengers themselves are crucified in this way, it signals to right-minded people who the true perpetrators of lies are and where the truth in fact lies.

That truth is what matters most to me. It is what first drove me to journalism while I was working in Jersey’s offshore finance industry after completing my degree from Binghamton University’s School of Management in upstate New York. I was so outraged when I grew to realize that this small idyllic island I love and had grown up on since the age of nine, a British Crown dependency fifteen miles off the coast of France, was in fact a hub for global tax evasion. This realization came to me while the British people were being told that austerity had to continue—public funding for schools, hospitals, policing and all matter of things were to be slashed—all while the government “recovered” after bailing out the banks following the 2008 crash. That austerity lie was one I could no longer stomach as soon as I came to understand that my fairly uninspiring administrative role was in fact a part of this global network of firms to help multinational companies, businessmen, politicians and members of various royal families in avoiding paying trillions in tax—all under a perfectly legal infrastructure that the government was fully aware of, but kept quiet about.

 

Rad the full publication: Lies, Newsweek and Control of the Media Narrative: First-Hand Account | Tareq Haddad

Dec. 3, 1847: North Star Newspaper Launched – Zinn Education Project

 

On Dec. 3, 1847, Frederick Douglass and Martin Delany launched the abolitionist The North Star newspaper.

The opening editorial, “Our Paper and Its Prospects,” begins:

“We are now about to assume the management of the editorial department of a newspaper, devoted to the cause of Liberty, Humanity and Progress.

The position is one which, with the purest motives, we have long desired to occupy.

It has long been our anxious wish to see, in this slave-holding, slave-trading, and Negro-hating land, a printing-press and paper, permanently established, under the complete control and direction of the immediate victims of slavery and oppression. ”

Continue reading.

Read about the North Star and the people’s history of the media and race in the United States in News for All the People by Juan Gonzalez and Joe Torres.

Source: Dec. 3, 1847: North Star Newspaper Launched – Zinn Education Project

Review: James Cone, the father of black theology | America Magazine

“The blood of black people is crying out to God and to white people from the ground in the United States of America.” -James H. Cone

The Rev. Dr. James Cone’s posthumous final book, Said I Wasn’t Gonna Tell Nobody, chronicles the author’s intellectual and spiritual journey as a theologian. Cone’s autobiography is the memoir of a lifetime spent trying to come to terms with his blackness amid the crucible of racism and prejudice in the United States.

It is also, in an understated way, a history not only of black theology but of the liberation theologies that arose from the turbulent 1960s and ’70s.

Cone’s autobiography speaks to one of the most pressing issues of our time, racism, through the pain of his experience and the strength of his writing. For Catholics today, it holds one other important truth: Theology does not arrive out of a sterile doctrinal laboratory but from the pains, sufferings and triumphs of the people of God.

Source: Review: James Cone, the father of black theology | America Magazine

Ava DuVernay’s new Netflix series sheds light on the horrors of wrongful incarceration

“The time that we lost, we can’t get that back,” Kevin Richardson told NBC’s Lester Holt in an interview along with the group. “We lost our youth, our youthful years.”Their stories are profiled in the upcoming Netflix series “When They See Us,” a four-episode drama which was directed and co-written by Ava DuVernay. The limited series chronicles the journeys of the five men over the course of 25 years through their trials to their release from prison.“I always go back to whose story am I telling and is this choice helping to tell their story, in the most dynamic way, the most truthful way, for them,”

DuVernay told Holt.DuVernay, known for directing social justice films like “Selma” and big budget movies like “A Wrinkle in Time,” felt it was critical to tell the story of how false confessions landed the five teenagers in prison for crimes they did not commit.

Source: Ava DuVernay’s new Netflix series sheds light on the horrors of wrongful incarceration

Psychiatry, Racism, and the Birth of ‘Sesame Street’

IN THE WAKE of the assassination of Martin Luther King Jr. on April 4, 1968, a newly formed group called the Black Psychiatrists of America began to challenge their white colleagues to think about racism in a new way. Its members had been discussing for some time the possibility of creating an organization that would address their lack of representation within the key bodies of American psychiatry. But now, as one of these men, Dr. Chester Pierce, later put it ”we anguished in our grief for a great moderate leader,” and it seemed that the time for moderation on their side was also over. In Pierce’s words: “As we listened to radio reports and called to various sections of the country for the on-the spot reports in inner cities, our moderation weakened and our alarm hardened.”

Source: Psychiatry, Racism, and the Birth of ‘Sesame Street’

‘When They See Us’ Shows a Case’s Impact on U.S. Policy – The Atlantic

When They See Us is primarily focused on the racist logic of the policing, court, and prison systems that cost the five defendants their childhood. The series also profoundly illuminates some inherent problems in American criminal justice from a range of perspectives. Viewers get an intimate glimpse of mothers, fathers, and siblings fighting for the freedom of their loved ones; law-enforcement authorities classifying these same boys as “animals”; and protesters on both sides holding signs, declaring “it’s not open season on women” or the real rapist in court today is the New York police and the D.A.

Ultimately, the hysteria surrounding the Central Park Jogger case gave rise to new language about black-youth crime, and to new laws that caused more children to stand trial as adults than at any other time in American history.

When They See Us gets the audience closer to understanding why juvenile and adult prison populations exploded through the 1990s, and how the United States became home to the largest incarceration system in the world.

Source: ‘When They See Us’ Shows a Case’s Impact on U.S. Policy – The Atlantic

Read: Ava DuVernay does true crime differently in ‘When They See Us’

“A Film Called Blacks Can’t Swim”

“A Film Called Blacks Can’t Swim” continues with the new music video to the soundtrack of the same name as part of a national project to encourage Black people to learn how and enjoy swimming. 
 
With the aim of encouraging as many people in the community to swim by addressing the stereotypes and dispelling the myths, the project highlights Black competitive swimmers and some of their achievements in this music video. Why is this important ? It is a safety consideration for all children. Ensure that your children learn to swim.
 
We need Swimming Role Models to highlight the importance of swimming in our community. Hopefully the 45+ Black competitive swimmers featured in this extended music video will do just that.
swimming2In 2015, three  African American swimmers, Simone Manuel, LIA NEAL & Natalie Hinds made history by taking the 3 top places (coming respectively 1-2-3) in the 100-yard freestyle at NCAA championships.

If you don’t swim why? If you never learned, why? Many Black children during Jim Crow all through the South had no access to either a pool, beach, lake or river for recreational swimming.

OUR COMMON GROUND with Janice Graham is proud to be part of this project.
The national project is led by Ed Accura @ed_accura. Contact him if you would like to get involved in your community.