Review: James Cone, the father of black theology | America Magazine

“The blood of black people is crying out to God and to white people from the ground in the United States of America.” -James H. Cone

The Rev. Dr. James Cone’s posthumous final book, Said I Wasn’t Gonna Tell Nobody, chronicles the author’s intellectual and spiritual journey as a theologian. Cone’s autobiography is the memoir of a lifetime spent trying to come to terms with his blackness amid the crucible of racism and prejudice in the United States.

It is also, in an understated way, a history not only of black theology but of the liberation theologies that arose from the turbulent 1960s and ’70s.

Cone’s autobiography speaks to one of the most pressing issues of our time, racism, through the pain of his experience and the strength of his writing. For Catholics today, it holds one other important truth: Theology does not arrive out of a sterile doctrinal laboratory but from the pains, sufferings and triumphs of the people of God.

Source: Review: James Cone, the father of black theology | America Magazine

Ava DuVernay’s new Netflix series sheds light on the horrors of wrongful incarceration

“The time that we lost, we can’t get that back,” Kevin Richardson told NBC’s Lester Holt in an interview along with the group. “We lost our youth, our youthful years.”Their stories are profiled in the upcoming Netflix series “When They See Us,” a four-episode drama which was directed and co-written by Ava DuVernay. The limited series chronicles the journeys of the five men over the course of 25 years through their trials to their release from prison.“I always go back to whose story am I telling and is this choice helping to tell their story, in the most dynamic way, the most truthful way, for them,”

DuVernay told Holt.DuVernay, known for directing social justice films like “Selma” and big budget movies like “A Wrinkle in Time,” felt it was critical to tell the story of how false confessions landed the five teenagers in prison for crimes they did not commit.

Source: Ava DuVernay’s new Netflix series sheds light on the horrors of wrongful incarceration

Psychiatry, Racism, and the Birth of ‘Sesame Street’

IN THE WAKE of the assassination of Martin Luther King Jr. on April 4, 1968, a newly formed group called the Black Psychiatrists of America began to challenge their white colleagues to think about racism in a new way. Its members had been discussing for some time the possibility of creating an organization that would address their lack of representation within the key bodies of American psychiatry. But now, as one of these men, Dr. Chester Pierce, later put it ”we anguished in our grief for a great moderate leader,” and it seemed that the time for moderation on their side was also over. In Pierce’s words: “As we listened to radio reports and called to various sections of the country for the on-the spot reports in inner cities, our moderation weakened and our alarm hardened.”

Source: Psychiatry, Racism, and the Birth of ‘Sesame Street’

‘When They See Us’ Shows a Case’s Impact on U.S. Policy – The Atlantic

When They See Us is primarily focused on the racist logic of the policing, court, and prison systems that cost the five defendants their childhood. The series also profoundly illuminates some inherent problems in American criminal justice from a range of perspectives. Viewers get an intimate glimpse of mothers, fathers, and siblings fighting for the freedom of their loved ones; law-enforcement authorities classifying these same boys as “animals”; and protesters on both sides holding signs, declaring “it’s not open season on women” or the real rapist in court today is the New York police and the D.A.

Ultimately, the hysteria surrounding the Central Park Jogger case gave rise to new language about black-youth crime, and to new laws that caused more children to stand trial as adults than at any other time in American history.

When They See Us gets the audience closer to understanding why juvenile and adult prison populations exploded through the 1990s, and how the United States became home to the largest incarceration system in the world.

Source: ‘When They See Us’ Shows a Case’s Impact on U.S. Policy – The Atlantic

Read: Ava DuVernay does true crime differently in ‘When They See Us’

“A Film Called Blacks Can’t Swim”

“A Film Called Blacks Can’t Swim” continues with the new music video to the soundtrack of the same name as part of a national project to encourage Black people to learn how and enjoy swimming. 
 
With the aim of encouraging as many people in the community to swim by addressing the stereotypes and dispelling the myths, the project highlights Black competitive swimmers and some of their achievements in this music video. Why is this important ? It is a safety consideration for all children. Ensure that your children learn to swim.
 
We need Swimming Role Models to highlight the importance of swimming in our community. Hopefully the 45+ Black competitive swimmers featured in this extended music video will do just that.
swimming2In 2015, three  African American swimmers, Simone Manuel, LIA NEAL & Natalie Hinds made history by taking the 3 top places (coming respectively 1-2-3) in the 100-yard freestyle at NCAA championships.

If you don’t swim why? If you never learned, why? Many Black children during Jim Crow all through the South had no access to either a pool, beach, lake or river for recreational swimming.

OUR COMMON GROUND with Janice Graham is proud to be part of this project.
The national project is led by Ed Accura @ed_accura. Contact him if you would like to get involved in your community.

How the dream of cheap streaming television became a pricey, complicated mess – The Washington Post

“But there is no real debate about the outcome: The dreams of cord cutters are largely unfulfilled. A transition that some hoped would provide more choice, lower prices and more simplicity instead has delivered frustrating levels of complexity. There still may be more choice, but each choice comes with price tags that, taken together, may well approach the cable bills of old.“It’s not going to come for free,” said Michael Powell, president of trade group NCTA, representing pay television and broadband providers. “People want to watch their ‘True Detective,’ ‘Breaking Bad,’ ‘Mad Men,’ and that stuff costs a fortune.”

Source: How the dream of cheap streaming television became a pricey, complicated mess – The Washington Post

Trump’s Ever More Powerful Weapons Against Journalism

President Donald Trump greets military families at the White House for the Fourth of July. (Alex Brandon / AP)
Jacob Sugarman

Shortly after five staffers at the Capital Gazette were gunned down in their Annapolis, Md., office, President Donald Trump refused a request from the city’s mayor, Gavin Buckley, to lower American flags on federal property to half-staff. The White House eventually reversed its decision, but the episode underscores the contempt that this administration holds for the press.

Last month, after spending the better part of two years railing against purveyors of “fake news,” the president called the media the “enemy of the American people.” Now the Department of Homeland Security is reportedly compiling a database of journalists, editors, correspondents and bloggers to identify the leading voices in their respective fields.

According to an April 5 report in Bloomberg Government, DHS was searching for a contractor to help it monitor more than 290,000 global news sources in over 100 languages, including Arabic, Chinese and Russian, all of which will be translated to English in real time. These outlets would include newspapers and magazines, television and radio, podcasts and social media.

“The DHS request says the selected vendor will set up an online ‘media influence database’ giving users the ability to browse based on location, beat, and type of influence,” Bloomberg’s Cary O’Reilly reveals. The database would include, “[f]or each influencer found, present contact details and any other information that could be relevant, including publications this influencer writes for, and an overview of the previous coverage published by the media influencer.”

If the project sounds like a First Amendment violation waiting to happen, that’s because it is. While DHS insists that the database will “protect and enhance the resilience of the nation’s physical and cyberinfrastructure,” perhaps against foreign interference in future elections, the potential for censorship and other abuses of power is virtually limitless.“Unfortunately, increasing government encroachment on the freedom of the press is the sinister backdrop to all of this,” writes Forbes’ Michelle Fabio. “Freedom House, which has monitored the status of the press for nearly 40 years, recently concluded that global media freedom has reached its lowest level in the past 13 years.”

The independent watchdog blames “crackdowns on independent media in authoritarian countries like Russia and China,” but it also cites “new threats to journalists and media outlets in major democracies”—Trump chief among them.

If the project sounds like a First Amendment violation waiting to happen, that’s because it is. While DHS insists that the database will “protect and enhance the resilience of the nation’s physical and cyberinfrastructure,” perhaps against foreign interference in future elections, the potential for censorship and other abuses of power is virtually limitless.

“Unfortunately, increasing government encroachment on the freedom of the press is the sinister backdrop to all of this,” writes Forbes’ Michelle Fabio. “Freedom House, which has monitored the status of the press for nearly 40 years, recently concluded that global media freedom has reached its lowest level in the past 13 years.”

The independent watchdog blames “crackdowns on independent media in authoritarian countries like Russia and China,” but it also cites “new threats to journalists and media outlets in major democracies”—Trump chief among them.

“No U.S. president in recent memory has shown greater contempt for the press than Trump in his first months in office,” reads Freedom House’s 2017 report. “He has repeatedly ridiculed reporters. … Such comments suggest a hostility toward the fundamental principles and purposes of press freedom, especially the news media’s role in holding governments to account for their words and actions—as opposed to the government holding the media to account.”

Barack Obama’s eight years in office were marked by an overt hostility toward leakers and whistleblowers; Leonard Downie’s report for the Committee to Protect Journalists in 2013 called the White House’s treatment of the press “the most aggressive I’ve seen since the Nixon administration, when I was one of the editors involved in the Washington Post’s investigation of Watergate.”

The DHS’ latest venture reveals where disdain for journalists can lead, and the extent to which it can be weaponized.

Jacob Sugarman
Jacob Sugarman is a graduate of the Arthur L. Carter Institute of Journalism whose writing has appeared in Salon, AlterNet and Tablet, among other…

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