“Falwell, 57, possesses a certain Orwellian gift for painting Liberty as a bastion of tolerance where alternate viewpoints are not just permitted but encouraged. In March, he attended the signing of Trump’s executive order on college free speech and later claimed on “PBS NewsHour” that Liberty was inclusive of all ideas because it had invited Jimmy Carter to deliver its 2018 commencement address and Bernie Sanders to speak in 2015 at the assembly that students are required to attend twice a week. After Falwell learned last month that I was writing this essay, he posted a column on Liberty’s site disputing “sensational stories . . . that we do not allow opposing views.” He wrote, “If there’s one thing I’m certain of, it’s that there will be a strong and critical response to this article by a few former students and a handful of national media determined to paint Liberty in a completely different light on these issues.”His Twitter account is a much better reflection of his approach to dissent. Falwell’s profile announces that “Haters will be blocked,” and several students who have disagreed or argued with him on Twitter have met this fate. Falwell outright lied on the platform to Sojourners Web editor Sandi Villarreal — who is now my colleague — when he said he’d removed a Champion op-ed criticizing Trump’s “locker room talk” defense because there was simply not enough room on the page. (The piece was already laid out on the page when he pulled it.) In fact, much of Falwell’s message control has to do with safeguarding Trump.”
“The time that we lost, we can’t get that back,” Kevin Richardson told NBC’s Lester Holt in an interview along with the group. “We lost our youth, our youthful years.”Their stories are profiled in the upcoming Netflix series “When They See Us,” a four-episode drama which was directed and co-written by Ava DuVernay. The limited series chronicles the journeys of the five men over the course of 25 years through their trials to their release from prison.“I always go back to whose story am I telling and is this choice helping to tell their story, in the most dynamic way, the most truthful way, for them,”
DuVernay told Holt.DuVernay, known for directing social justice films like “Selma” and big budget movies like “A Wrinkle in Time,” felt it was critical to tell the story of how false confessions landed the five teenagers in prison for crimes they did not commit.
IN THE WAKE of the assassination of Martin Luther King Jr. on April 4, 1968, a newly formed group called the Black Psychiatrists of America began to challenge their white colleagues to think about racism in a new way. Its members had been discussing for some time the possibility of creating an organization that would address their lack of representation within the key bodies of American psychiatry. But now, as one of these men, Dr. Chester Pierce, later put it ”we anguished in our grief for a great moderate leader,” and it seemed that the time for moderation on their side was also over. In Pierce’s words: “As we listened to radio reports and called to various sections of the country for the on-the spot reports in inner cities, our moderation weakened and our alarm hardened.”
When They See Us is primarily focused on the racist logic of the policing, court, and prison systems that cost the five defendants their childhood. The series also profoundly illuminates some inherent problems in American criminal justice from a range of perspectives. Viewers get an intimate glimpse of mothers, fathers, and siblings fighting for the freedom of their loved ones; law-enforcement authorities classifying these same boys as “animals”; and protesters on both sides holding signs, declaring “it’s not open season on women” or the real rapist in court today is the New York police and the D.A.
Ultimately, the hysteria surrounding the Central Park Jogger case gave rise to new language about black-youth crime, and to new laws that caused more children to stand trial as adults than at any other time in American history.
When They See Us gets the audience closer to understanding why juvenile and adult prison populations exploded through the 1990s, and how the United States became home to the largest incarceration system in the world.
In two trials, in 1990, Santana, Wise, Richardson, McCray, and Salaam were convicted of the attack, even though there was no physical evidence tying them to it, only their supposed confessions, which contradicted one another. They were sentenced to terms of between five and fifteen years. The accused came to be known as the Central Park Five, but that, too, was a linguistic dodge. Better to identify them by their number and the scene of their alleged crime than by the brutality visited upon them by an arbitrary justice system and the public opinion that abetted it. In 2002, Matias Reyes, a convicted rapist, confessed to the crime, and, based on DNA evidence, the charges against the five were vacated. In 2014, the city paid them forty-one million dollars, to settle a federal civil-rights lawsuit.
“But there is no real debate about the outcome: The dreams of cord cutters are largely unfulfilled. A transition that some hoped would provide more choice, lower prices and more simplicity instead has delivered frustrating levels of complexity. There still may be more choice, but each choice comes with price tags that, taken together, may well approach the cable bills of old.“It’s not going to come for free,” said Michael Powell, president of trade group NCTA, representing pay television and broadband providers. “People want to watch their ‘True Detective,’ ‘Breaking Bad,’ ‘Mad Men,’ and that stuff costs a fortune.”
The Coming Collapse
“The Trump administration did not rise, prima facie, like Venus on a half shell from the sea. Donald Trump is the result of a long process of political, cultural and social decay. He is a product of our failed democracy. The longer we perpetuate the fiction that we live in a functioning democracy, that Trump and the political mutations around him are somehow an aberrant deviation that can be vanquished in the next election, the more we will hurtle toward tyranny. The problem is not Trump. It is a political system, dominated by corporate power and the mandarins of the two major political parties, in which we don’t count. We will wrest back political control by dismantling the corporate state, and this means massive and sustained civil disobedience, like that demonstrated by teachers around the country this year. If we do not stand up we will enter a new dark age . . .
. . . “The leadership of the party, the Clintons, Nancy Pelosi, Chuck Schumer, Tom Perez, are creations of corporate America. In an open and democratic political process, one not dominated by party elites and corporate money, these people would not hold political power. They know this. They would rather implode the entire system than give up their positions of privilege. And that, I fear, is what will happen. The idea that the Democratic Party is in any way a bulwark against despotism defies the last three decades of its political activity. It is the guarantor of despotism.” . . .