The First Reviews of Their Eyes Were Watching God | Book Marks

It is so easy to be hopeful in the daytime when you can see the things you wish on. But it was night, it stayed night. Night was striding across nothingness with the whole round world in his hands . . . They sat in company with the others in other shanties, their eyes straining against cruel walls and their souls asking if He meant to measure their puny might against His. They seemed to be staring at the dark, but their eyes were watching God.

 

Now considered one of the greatest novels of the 20th century, Zora Neale Hurston’s Their Eyes Were Watching God had to travel a rocky road to immortality. Initial reviews ranged from positive to condescending to downright hostile, as many in the African American literary community bristled at Hurston’s rejection of the Harlem Renaissance and W.E.B. Du Bois’ Uplift agenda. A decades-long wilderness period in which both the novel and its author fell into obscurity ended with the establishment of several Black Studies programs in universities across America in the 1970s and 1980s. This, coupled with a growing black feminist movement, spearheaded by activist writers like Audre Lorde and Alice Walker, helped create a space in which Hurston’s work could be rediscovered. Walker’s 1975 essay, ‘Looking for Zora,’ in which she chronicled her search for Hurston’s unmarked grave, was a particularly significant part of this effort.

83 years on from its publication, we take look back at some of the original reviews of Their Eyes Were Watching God.

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“Whether or not there was ever a town in Florida inhabited and governed entirely by Negroes, you will have no difficulty believing in the Negro community which Zora Neale Hurston has either reconstructed or imagined in this novel. The town of Eatonville is as real in these pages as Jacksonville is in the pages of Rand McNally; and the lives of its people are rich, racy, and authentic. The few white characters in the book appear momentarily and incidentally. The title carries a suggestion of The Green Pastures, but it is to this extent misleading; no religious element dominates this story of human relationships … The only weak spots in the novel are technical; it begins awkwardly with a confusing and unnecessary preview of the end; and the dramatic action, as in the story of the hurricane, is sometimes hurriedly and clumsily handled. Otherwise the narration is exactly right, because most of it is in dialogue, and the dialogue gives us a constant sense of character in action. No one has ever reported the speech of Negroes with a more accurate ear for its raciness, its rich invention, and its music.”

–George Stevens, The Saturday Review of Literature, September 18, 1937

 

“Miss Hurston seems to have no desire whatever to move in the direction of serious fiction … Miss Hurston can write, but her prose is cloaked in that facile sensuality that has dogged Negro expression since the days of Phillis Wheatley. Her dialogue manages to catch the psychological movements of the Negro folk-mind in their pure simplicity, but that’s as far as it goes. Miss Hurston voluntarily continues in her novel the tradition which was forced upon the Negro in the theatre, that is, the minstrel technique that makes the ‘white folks’ laugh. Her characters eat and laugh and cry and work and kill; they swing like a pendulum eternally in that safe and narrow orbit in which America likes to see the Negro live: between laughter and tears … The sensory sweep of her novel carries no theme, no message, no thought. In the main, her novel is not addressed to the Negro, but to a white audience whose chauvinistic tastes she knows how to satisfy. She exploits that phase of Negro life which is ‘quaint,’ the phase which evokes a piteous smile on the lips of the ‘superior’ race.”

–Richard Wright, The New Masses, October 5, 1937

 

“This is Zora Hurston’s third novel, again about her own people–and it is beautiful. It is about Negroes, and a good deal of it is written in dialect, but really it is about everyone, or least everyone who isn’t so civilized that he has lost the capacity for glory … The story of Janie’s life down on the muck of Florida Glades, bean picking, hunting and the men shooting dice in the evening and how the hurricane came up and drove the animals and the Indians and finally the black people and the white people before it, and how Tea Cake, in Janie’s eyes the ‘son of Evening Son,’ and incidentally the best crap shooter in the place, made Janie sing and glitter all over at last, is a little epic all by itself. Indeed, from first to last this is a well nigh perfect story–a little sententious at the start, but the rest is simple and beautiful and shining with humor. In case there are readers who have a chronic laziness about dialect, it should be added that the dialect here is very easy to follow, and the images it carries are irresistible.”

–Lucille Tompkins, New York Times Book Review, September 26, 1937

 

“It isn’t that this novel is bad, but that it deserves to be better. In execution it is too complex and wordily pretty, even dull—yet its conception of these simple Florida Negroes is unaffected and really beautiful … Through these chapters there has been some very shrewd picturing of Negro life in its naturally creative and unself-conscious grace … If this isn’t as grand as it should he, the breakdown comes in the conflict between the true vision and its overliterary expression. Crises of feeling are rushed over too quickly for them to catch hold, and then presently we are in a tangle of lush exposition and overblown symbols; action is described and characters are talked about, and everything is more heard than seen. The speech is founded in observation and sometimes wonderfully so, a gold mine of traditional sayings…But although the spoken word is remembered, it is not passed on. Dialect is really sloppy, in fact…And so all this conflict between the real life we want to read about and the superwordy, flabby lyric discipline we are so sick of leaves a good story where it never should have been potentially: in the gray category of neuter gender, declension indefinite.”

–Otis Ferguson, The New Republic, October 13, 1937

 

“And now, Zora Neale Hurston and her magical title: Their Eyes Were Watching God. Janie’s story should not be re-told; it must be read. But as always thus far with this talented writer, setting and surprising flashes of contemporary folk lore are the main point. Her gift for poetic phrase, for rare dialect, and folk humor keep her flashing on the surface of her community and her characters and from diving down deep either to the inner psychology of characterization or to sharp analysis of the social background. It is folklore fiction at its best, which we gratefully accept as an overdue replacement for so much faulty local color fiction about Negroes. But when will the Negro novelist of maturity, who knows how to tell a story convincingly — which is Miss Hurston’s cradle gift, come to grips with motive fiction and social document fiction? Progressive southern fiction has already banished the legend of these entertaining pseudo-primitives whom the reading public still loves to laugh with, weap over and envy. Having gotten rid of condescension, let us now get over oversimplication!”

–Alain Locke, Opportunity, June 1, 1938

Opinion | My Mother’s Death Will Have Everything and Nothing to Do With Covid-19 – The New York Times

My Mother Is Busy Getting Ready to Die

No insurance. 64 years old. Alone, along with all the other black people at the bottom of the pandemic.

By 

Dr. Manigault-Bryant is an associate professor of Africana studies at Williams College.

My mother is dying a painful death, and it has everything and nothing to do with Covid-19.

In a piece for The Atlantic detailing the ways in which the coronavirus seems to be hitting black people the hardest, Ibram X. Kendi wrote: “Sometimes racial data tell us something we don’t know. Other times we need racial data to confirm something we already seem to know.” My mother is a living example of what we already know about race, class and suffering.

She is not in an elder-care facility, nor a hospital. She has not been, and most likely will not be, tested for the virus or receive a diagnosis of having it.

Still, hers is the body of all the black people at the bottom of the pandemic. No insurance, though not for lack of trying. Medicaid applications denied for reasons we don’t understand. Inconsistent care at a local public clinic meant hard-to-come-by appointments and checkups only at moments deemed most critical. It wasn’t enough.

Now, she’s dying from end-stage liver disease and kidney failure, diagnosed too late to save her. This has nothing to do with Covid-19.

She is not even that old (64, and thus Medicare ineligible), but FaceTime tells no lies, and she is wasting away before us. What’s worse, even as I’m exactly four hours and three minutes away — geographically closer than I’ve been in over a decade — I can’t be near her, touch her, cook for her, kiss her or tell her all of the things that I don’t yet know I need to say. This has everything to do with Covid-19.
On the occasion she’s strong enough to answer the phone, holding the phone for FaceTime proves too much. Calls come too late, even as time is too short. The grandchildren who live close by cannot get close to her — the idea of transmitting anything to her, as she’s so obviously immune-compromised, is terrifying. The underlying conditions would amplify an already-certain death. This has everything to do with Covid-19.

My brother, who lives exactly six minutes and 24 seconds away from Mommy, risks seeing her because someone needs to make sure she’s still breathing. That check-in is thus essential. He scrubs himself clean after work with all manner of chemicals — he’s a waste management truck driver, an essential employee. This is an effort to protect her. He’s close to her. This is an effort to protect us. This has everything to do with Covid-19.

He tries to get her to eat something other than her single meal of applesauce and Vienna sausages. This has nothing to do with Covid-19.

It’s officially power-of-attorney and health-proxy time. Getting my mother to the lawyer — a four-minute drive — is a thing. My brother and I spend hours strategizing transportation. The errand feels like it takes an eternity. This has everything to do with Covid-19.

Like so many, countless others, my family and I are going to be left with the unsettling weight of her death. My mother is going to die soon, and it will most likely be alone. I am afraid. I am one of many grieving, forever-changed faces. No repast. No low-country songs sung graveside. No sending up our timber for her. We cannot grieve properly. Lots of regret. This has everything to do with Covid-19.

When the pandemic is over, we still won’t know how to deal with this. We’re not ready for this kind of grief. Death is so utter, so absolute, yet so much right now is uncertain. My mother is dying a painful death, and it has everything and nothing to do with Covid-19.

LeRhonda S. Manigault-Bryant (@DoctorRMB) is associate professor of Africana studies at Williams College and the author of “Talking to the Dead: Religion, Music, and Lived Memory Among Gullah/Geechee Women.”

 

“One Side Dark, Other Side Hard : Black America In the GAP ” § May 16, 2020

5-16 Cooper Owens Banner 3
Guest: Dr. Deirdre Cooper Owens, Ph.D.

Professor and Director of the Humanities in Medicine Program at the University of Nebraska-Lincoln;

Author, “Medical Bondage: Race, Gender, and the Origins of American Gynecology”

May 16, 2020    ↔ 10 pm EDT LIVE
Tune In Here: http://bit.ly/OCGTruthTalk

Deirdre Cooper Owens is the Linda and Charles Wilson Professor in the History of Medicine and Director of the Humanities in Medicine program at the University of Nebraska-Lincoln. She is an Organization of American Historians’ (OAH) Distinguished Lecturer and has won a number of prestigious honors that range from the University of Virginia’s Carter G. Woodson Postdoctoral Fellowship in the Woodson Institute for African-American and African Studies to serving as an American Congress of Obstetrics and Gynecology Fellow in Washington, D.C.

Cooper Owens earned her Ph.D. from UCLA in History and wrote an award-winning dissertation while there. A popular public speaker, she has published articles, essays, book chapters, and think pieces on a number of issues that concern African American experiences. Recently, Cooper Owens finished working with Teaching Tolerance and the Southern Poverty Law Center on a podcast series about how to teach U.S. slavery and Time Magazine listed her as an “acclaimed expert” on U.S. history in its annual “The 25 Moments From American History That Matter Right Now.”

Her first book, Medical Bondage: Race, Gender and the Origins of American Gynecology (UGA Press, 2017) won the 2018 Darlene Clark Hine Book Award from the OAH as the best book written in African American women’s and gender history.

Professor Cooper Owens is also the Director of the Program in African American History at the Library Company of Philadelphia, the country’s oldest cultural institution founded by Benjamin Franklin in 1731. She is working on a second book project that examines mental illness during the era of United States slavery and is writing a popular biography of Harriet Tubman that examines her through the lens of disability.

We will be talking with her about Black America in the pandemic, historical underbelly of health history and its impact on us today. How we find comfort, how we face our fears and our deaths.

Ruby Sales — Where Does It Hurt? – The On Being Project

Civil rights legend Ruby Sales (OUR COMMON GROUND Voice) learned to ask “Where does it hurt?” because it’s a question that drives to the heart of the matter — and a question we scarcely know how to ask in public life now. Sales says we must be as clear about what we love as about what we hate if we want to make change. And even as she unsettles some of what we think we know about the force of religion in civil rights history, she names a “spiritual crisis of white America” as a calling of today.

Source: Ruby Sales — Where Does It Hurt? – The On Being Project  

Ruby Nell Sales is a highly-trained, experienced, and deeply-committed social activist, scholar, administrator, manager, public theologian, and educator in the areas of Civil, Gender, and other Human Rights. She is an excellent public speaker, with a proven track record in conflict resolution and consensus building. Ms. Sales has preached around the country on race, class, gender, and reconciliation, and she has done ground-breaking work on community and nonviolence formation. Ms. Sales also serves as a national convener of the Every Church A Peace Church Movement.

Along with other SNCC workers, Sales joined young people from Fort Deposit, Alabama who organized a demonstration to protest the actions of the local White grocery-store owners who cheated their parents. The group was arrested and held in jail and then suddenly released. Jonathan Daniels, a White seminarian and freedom worker from Episcopal Divinity School in Cambridge, Massachusetts was assassinated as he pulled Sales out of the line of fire when they attempted to enter Cash Grocery Store to buy sodas for other freedom workers who were released from jail. Tom Coleman also shot and deeply wounded Father Richard Morrisroe, a priest from Chicago. Despite threats of violence, Sales was determined to attend the trial of Daniels’ murderer, Tom Coleman, and to testify on behalf of her slain colleague.

As a social activist, Sales has served on many committees to further the work of reconciliation, education, and awareness. She has served on the Steering Committee for International Women’s Day, Washington, D.C.; the James Porter Colloquium Committee, Howard University, Washington, D.C.; the Coordinating Committee, People’s Coalition, Washington, D.C.; the President’s Committee On Race, University of Maryland; and the Coalition on Violence Against Women, Amnesty International, Washington, D.C. She was a founding member of Sage Magazine: A Scholarly Journal on Black Women. Sales received a Certificate of Gratitude for her work on Eyes on the Prize. Additionally, she was featured in Broken Ground: A Film on Race Relations in the South, by Broken Ground Productions. From 1991-1994, Sales founded and directed the national nonprofit organization Women of All Colors, dedicated to improving the overall quality of life for women, their families, and the communities in which they live. Women of All Colors organized a week-long SisterSpeak that brought more than 80 Black women together to set a national agenda.

In 2000, Dan Rather spotlighted Sales on his “American Dream” Segment. In 1999, Selma, Alabama gave Sales the key to the city to honor her contributions there. In 2007, Sales moved to Columbus, Georgia, where she organized: a southern summit on racism; a national write-in campaign to save Albany State from being merged into a White college; a grassroots and media campaign to shed light on the death of seventeen year old, Billye Jo Johnson, who allegedly killed himself on a dark road in Lucedale, Mississippi when a deputy stopped him for speeding; Long Train Running Towards Justice, which celebrated the work of Black teachers during segregation and explored the ways that the Black school culture has been destroyed by White officials under the guise of desegregation; and a meeting with students at Savannah State to assist them in organizing and mobilizing a move by officials to merge Savannah State with a White college.

“Ruby Nell Sales is an African-American social justice activist. She attended local segregated schools and was also educated in the community during the 1960s era of the Civil Rights Movement. She has been described as a “legendary civil rights activist” by the PBS program “Religion and Ethics Weekly” Wikipedia
BornJuly 8, 1948 (age 71 years), Jemison, AL

Sweetness | The New Yorker – KOLUMN Magazine

SweetnessBy

It’s not my fault. So you can’t blame me. I didn’t do it and have no idea how it happened. It didn’t take more than an hour after they pulled her out from between my legs for me to realize something was wrong. Really wrong. She was so black she scared me. Midnight black, Sudanese black. I’m light-skinned, with good hair, what we call high yellow, and so is Lula Ann’s father. Ain’t nobody in my family anywhere near that color. Tar is the closest I can think of, yet her hair don’t go with the skin. It’s different—straight but curly, like the hair on those naked tribes in Australia. You might think she’s a throwback, but a throwback to what? You should’ve seen my grandmother; she passed for white, married a white man, and never said another word to any one of her children. Any letter she got from my mother or my aunts she sent right back, unopened. Finally they got the message of no message and let her be. Almost all mulatto types and quadroons did that back in the day—if they had the right kind of hair, that is. Can you imagine how many white folks have Negro blood hiding in their veins? Guess. Twenty per cent, I heard. My own mother, Lula Mae, could have passed easy, but she chose not to. She told me the price she paid for that decision. When she and my father went to the courthouse to get married, there were two Bibles, and they had to put their hands on the one reserved for Negroes. The other one was for white people’s hands. The Bible! Can you beat it? My mother was a housekeeper for a rich white couple. They ate every meal she cooked and insisted she scrub their backs while they sat in the tub, and God knows what other intimate things they made her do, but no touching of the same Bible.

Some of you probably think it’s a bad thing to group ourselves according to skin color—the lighter the better—in social clubs, neighborhoods, churches, sororities, even colored schools. But how else can we hold on to a little dignity? How else can we avoid being spit on in a drugstore, elbowed at the bus stop, having to walk in the gutter to let whites have the whole sidewalk, being charged a nickel at the grocer’s for a paper bag that’s free to white shoppers? Let alone all the name-calling. I heard about all of that and much, much more. But because of my mother’s skin color she wasn’t stopped from trying on hats or using the ladies’ room in the department stores. And my father could try on shoes in the front part of the shoe store, not in a back room. Neither one of them would let themselves drink from a “Colored Only” fountain, even if they were dying of thirst.

I hate to say it, but from the very beginning in the maternity ward the baby, Lula Ann, embarrassed me. Her birth skin was pale like all babies’, even African ones, but it changed fast. I thought I was going crazy when she turned blue-black right before my eyes. I know I went crazy for a minute, because—just for a few seconds—I held a blanket over her face and pressed. But I couldn’t do that, no matter how much I wished she hadn’t been born with that terrible color. I even thought of giving her away to an orphanage someplace. But I was scared to be one of those mothers who leave their babies on church steps. Recently, I heard about a couple in Germany, white as snow, who had a dark-skinned baby nobody could explain. Twins, I believe—one white, one colored. But I don’t know if it’s true. All I know is that, for me, nursing her was like having a pickaninny sucking my teat. I went to bottle-feeding soon as I got home.

My husband, Louis, is a porter, and when he got back off the rails he looked at me like I really was crazy and looked at the baby like she was from the planet Jupiter. He wasn’t a cussing man, so when he said, “God damn! What the hell is this?” I knew we were in trouble. That was what did it—what caused the fights between me and him. It broke our marriage to pieces. We had three good years together, but when she was born he blamed me and treated Lula Ann like she was a stranger—more than that, an enemy. He never touched her.

I never did convince him that I ain’t never, ever fooled around with another man. He was dead sure I was lying. We argued and argued till I told him her blackness had to be from his own family—not mine. That was when it got worse, so bad he just up and left and I had to look for another, cheaper place to live. I did the best I could. I knew enough not to take her with me when I applied to landlords, so I left her with a teen-age cousin to babysit. I didn’t take her outside much, anyway, because, when I pushed her in the baby carriage, people would lean down and peek in to say something nice and then give a start or jump back before frowning. That hurt. I could have been the babysitter if our skin colors were reversed. It was hard enough just being a colored woman—even a high-yellow one—trying to rent in a decent part of the city. Back in the nineties, when Lula Ann was born, the law was against discriminating in who you could rent to, but not many landlords paid attention to it. They made up reasons to keep you out. But I got lucky with Mr. Leigh, though I know he upped the rent seven dollars from what he’d advertised, and he had a fit if you were a minute late with the money.

I told her to call me “Sweetness” instead of “Mother” or “Mama.” It was safer. Her being that black and having what I think are too thick lips and calling me “Mama” would’ve confused people. Besides, she has funny-colored eyes, crow black with a blue tint—something witchy about them, too.

So it was just us two for a long while, and I don’t have to tell you how hard it is being an abandoned wife. I guess Louis felt a little bit bad after leaving us like that, because a few months later on he found out where I’d moved to and started sending me money once a month, though I never asked him to and didn’t go to court to get it. His fifty-dollar money orders and my night job at the hospital got me and Lula Ann off welfare. Which was a good thing. I wish they would stop calling it welfare and go back to the word they used when my mother was a girl. Then it was called “relief.” Sounds much better, like it’s just a short-term breather while you get yourself together. Besides, those welfare clerks are mean as spit. When finally I got work and didn’t need them anymore, I was making more money than they ever did. I guess meanness filled out their skimpy paychecks, which was why they treated us like beggars. Especially when they looked at Lula Ann and then back at me—like I was trying to cheat or something. Things got better but I still had to be careful. Very careful in how I raised her. I had to be strict, very strict. Lula Ann needed to learn how to behave, how to keep her head down and not to make trouble. I don’t care how many times she changes her name. Her color is a cross she will always carry. But it’s not my fault. It’s not my fault. It’s not.

Oh, yeah, I feel bad sometimes about how I treated Lula Ann when she was little. But you have to understand: I had to protect her. She didn’t know the world. With that skin, there was no point in being tough or sassy, even when you were right. Not in a world where you could be sent to a juvenile lockup for talking back or fighting in school, a world where you’d be the last one hired and the first one fired. She didn’t know any of that or how her black skin would scare white people or make them laugh and try to trick her. I once saw a girl nowhere near as dark as Lula Ann who couldn’t have been more than ten years old tripped by one of a group of white boys and when she tried to scramble up another one put his foot on her behind and knocked her flat again. Those boys held their stomachs and bent over with laughter. Long after she got away, they were still giggling, so proud of themselves. If I hadn’t been watching through the bus window I would have helped her, pulled her away from that white trash. See, if I hadn’t trained Lula Ann properly she wouldn’t have known to always cross the street and avoid white boys. But the lessons I taught her paid off, and in the end she made me proud as a peacock.

Toni Morrison

Chloe Anthony Wofford Morrison (born Chloe Ardelia Wofford; February 18, 1931 – August 5, 2019), known as Toni Morrison, was an American novelist, essayist, book editor, and college professor. Her first novel, The Bluest Eye, was published in 1970. The critically acclaimed Song of Solomon (1977) brought her national attention and won the National Book Critics Circle Award. In 1988, Morrison won the Pulitzer Prize for Beloved (1987); she gained worldwide recognition when she was awarded the Nobel Prize in Literature in 1993.

Born and raised in Lorain, Ohio, Morrison graduated from Howard University in 1953 and went to graduate school at Cornell University. She later taught English at Howard University and also married and had two children before divorcing in 1964. In the late 1960s, she became the first black female editor in fiction at Random House in New York City. In the 1970s and 1980s, she developed her own reputation as an author, and her perhaps most celebrated work, Beloved, was made into a 1998 film.

In 1996, the National Endowment for the Humanities selected her for the Jefferson Lecture, the U.S. federal government’s highest honor for achievement in the humanities. Also that year, she was honored with the National Book Foundation’s Medal of Distinguished Contribution to American Letters. On May 29, 2012, President Barack Obama presented Morrison with the Presidential Medal of Freedom. In 2016, she received the PEN/Saul Bellow Award for Achievement in American Fiction.
Source: Sweetness | The New Yorker – KOLUMN Magazine

Letter from Frederick Douglass to Harriet Tubman, 1868 : Harriet Tubman

Harriet Tubman Historical Society

Letter from Frederick Douglass to Harriet Tubman, 1868

Source: Scenes in the Life of Harriet Tubman by Sarah Hopkins Bradford. Rochester, August 29, 1868

Dear Harriet: I am glad to know that the story of your eventful life has been written by a kind lady, and that the same is soon to be published. You ask for what you do not need when you call upon me for a word of commendation. I need such words from you far more than you can need them from me, especially where your superior labors and devotion to the cause of the lately enslaved of our land are known as I know them. The difference between us is very marked. Most that I have done and suffered in the service of our cause has been in public, and I have received much encouragement at every step of the way.

You, on the other hand, have labored in a private way. I have wrought in the day – you in the night. I have had the applause of the crowd and the satisfaction that comes of being approved by the multitude, while the most that you have done has been witnessed by a few trembling, scarred, and foot-sore bondmen and women, whom you have led out of the house of bondage, and whose heartfelt, “God bless you,” has been your only reward. The midnight sky and the silent stars have been the witnesses of your devotion to freedom and of your heroism.

Excepting John Brown – of sacred memory – I know of no one who has willingly encountered more perils and hardships to serve our enslaved people than you have. Much that you have done would seem improbable to those who do not know you as I know you. It is to me a great pleasure and a great privilege to bear testimony for your character and your works, and to say to those to whom you may come, that I regard you in every way truthful and trustworthy.Your friend,Frederick Douglass

Source: Letter from Frederick Douglass to Harriet Tubman, 1868 : Harriet Tubman

Breaking Barriers: Why Black-Owned Beauty Supply Stores Are Important And On The Rise

As the tides change, more African-Americans—both nationally and abroad—are getting into the haircare and beauty supply store industry, while also making sure that they are doing business with other Black beauty entrepreneurs in the process.“Koreans used to control the market, now they are selling the stores back to us because their kids do not want to take on the store,” says Sam Ennon, President and CEO of The Black Owned Beauty Supply Association . Over the past 15 years, the organization has helped open 450 Black-owned beauty supply stores across the country.

“The second and third generation (of Korean Americans) went to college and go into other professions,” Ennon added. “We’re very pleased with the future of the Black haircare industry where it’s going because more entrepreneurs, more young people are getting into the business,” Ennon shared recently with CNBC.  This new trend presents a unique, yet profitable, opportunity for the Black community and combats the continuous racial profiling many of us have experienced or witnessed shopping in most Asian-owned stores. Just this month, two black women were physically attacked by a store owner.

Despite being such a highly-visible staple in our community, there are still several unknowns within, and about, the industry. To answer some of the outstanding questions about breaking into the business, we reached out to several store owners who shared some of the gems they’ve learned on their entrepreneurial journeys in hopes of helping out the next generation of black beauty store bosses.  Keep reading below to hear what they had to say.

Source: Breaking Barriers: Why Black-Owned Beauty Supply Stores Are Important And On The Rise

How Men Distort the Race Debate | The New Republic

Patriarchy functions in much the same way, particularly with respect to how the many life-destroying dynamics of anti-Black racism are erased and redubbed into a baby-simple saga of negligent Black mothers and absent Black fathers. Whether the inequality at issue is the police killing of Black people, the mass incarceration of Black communities, anti-Black violence, disparities in health and wealth, crumbling schools, abandoned cities, or diminishing political power, the patriarchal neuralyzer manages to make it all vanish in a blinding flash. Neuralization isn’t new.

In fact, a telltale sign of its impact is just how enthusiastically stunned and disoriented witnesses lapse into incoherent analysis. In Jay-Z’s case, his viewers became mired in a vastly oversimplified bit of pop psychology when the hip-hop legend conjured up an explanation for Black death at the hands of police that had been recycled from generations of earlier commentators who rest the blame on Black gender disrepair: “You’re like, ‘I hate my dad. Don’t nobody tell me what to do. I’m the man of the house.’

And then you hit the streets and run into a police officer and first thing he says, ‘Put your hands up, freeze, shut up,’ and you’re like, ‘Fuck you!’”Meanwhile, during September’s Democratic presidential debate in Houston, the party’s front-runner, Joe Biden, was asked to address earlier views in which he angrily rejected any responsibility for addressing slavery.

Given the opportunity to talk concretely about the contemporary legacies of slavery, Biden produced his own neuralyzed script. Regurgitating a tangled fur ball of tropes from policy debates past, Biden delivered an impressionistic, stereotyped word-picture of Black family life that only made notional sense because of the exhausting familiarity of the narrative.

Source: How Men Distort the Race Debate | The New Republic

Kimberlé Williams Crenshaw is the founder and executive director of the African American Policy Forum.  @sandylocks

The Abusive Behavior of Ex-Mount Sinai Doctor David Newman  II The Cut

Arriving at the bathroom, Aja was still sifting through mental images, trying to get a grip. “You going to go out there and accuse him of this?” she says she asked herself. “Nobody’s going to believe you. You are clearly still drugged, and you’re not in a position to go out there and say something and then pass out. But I know I’m in danger. And I’m like, You’ve got to get out of here.

It would be four more hours before Aja left the Emergency Department, alone. Hospital video shows her dressed in her winter coat and fedora-style hat, moving unsteadily toward the exit. In her left hand, she carries a large plastic bag into which she had stuffed her hospital gown and the bedding, to be used, she hoped, as forensic evidence.

Last June, a study by the National Academies of Sciences, Engineering, and Medicine found that the incidence of sexual harassment within academic medical centers was unparalleled in any surveyed profession except the military. “Hospitals are basically hotels,” says Tim Johnson, an OB/GYN at the University of Michigan who worked on the study. “You’ve got beds and people staying in the beds. You’ve got cleaning people. You’ve got food service. You’ve got doctors wandering through the place late at night. It’s kind of like a hunting ground. Hospitals are like hunting grounds.” Although the NASEM report did not tally sexual abuse or assault of patients by doctors, an investigation by the Atlanta Journal-Constitution found 450 such documented cases from 2016 to 2017. In half of those, the doctors are still practicing medicine. Last year, 17 women sued New York-Presbyterian/Columbia hospital for damages, claiming their gynecologist, Robert Hadden, had touched them inappropriately, often without gloves, and given them prolonged breast exams. In 2016, Hadden was convicted for sex crimes but received no jail time.

Source: The Abusive Behavior of Ex-Mount Sinai Doctor David Newman

A Black Mother’s Love and Fear for Her Children in a White World – The New York Times

This is a mother who has made it by most standards, yet she cannot guarantee the safety of her offspring because of the color of their skin. She stands guard at a crossroads where past is present, the political is personal and the abstract or purely hypothetical is all too real. Like any parent, she wants her children, two boys, to be able to create a decent and happy life for themselves. Yet the “terrifying specter” of the white imagination means they are often not seen as individuals but instead are judged for being black — “subject to the larger white world’s constant evaluation as to whether or not you are worthy.” (She compiles a running list of criticisms and put-downs to which her kids are subjected: “Too mobile, too slow, too fast, inattentive. Why are you still in the bathroom? It takes you too long to pee. It takes you too long to remember this algorithm, this table. You hold the pencil too tight, you do not hold it tightly enough.”)

We hear echoes of Hansberry’s fictional family in “A Raisin in the Sun” debating the merits of moving to a white community versus allowing those would-be white neighbors to buy them off in exchange for staying put. Perry chose the former for her sons, along with its consequences. “You live in some worlds that are more white than black,” she tells them. “And so, you learn, early on, that the aversion to blackness can turn perfectly lovely people grotesque.”

Source:  BREATHE
A Letter to My Sons  By Imani Perry  NYT Book Review