“BURNING IT DOWN: BUILDING ANEW” with Kim Brown, Host, BURN IT DOWN LIVE

This Week at OUR COMMON GROUND

Our Guest:  Kim Brown, Host, Burn It Down with Kim Brown

Saturday, October 9, 2021 ∞ 10 pm ET

Tune In Here: http://bit.ly/OCGTruthTalk

Listen Line: 347-838-9852 

Can Janice Have A Word ?

Systemically oppressed survivors face tremendous, overwhelming barriers to seeking advocacy and justice. The challenges, and the history of institutional oppression of our people is often time met with lies, propaganda and obfuscation. There are historical underpinnings include events that took place in the past which impact how an individual or community perceives events or reacts to issues in the present. Additionally, the government, elected officials and mainstream organizations are not designed for or by systemically oppressed peoples and are often complicit or architects. Thus, it is critical that people who advocate on our behalf, analyze for us, comment or any other form of representation understand the historical trauma and its impact on Black people as a systemically oppressed people. We are told and offered illusionary idea of what will fix it. To some of these systemic and institutional impediments, traps and weapons, there is no fix. They must simply be “burned down”.

We  use history as a lens to provide a holistic approach and knowledge to claim our own liberation. Sometime, those who are unable to access relevant information may have blind spots, in places that are critical. We use others to “fill us in”. Unfortunately, all opinion is not critical analysis. All talk is not critical examination or analysis. Cultural, economic and political  relevant response requires a deep understanding of our story and how different every context is, paying close attention to where we are in our struggle and the multiplicity of our experiences and reality . We need people who are able to break through the BS and see clearly what is before us at every turn. Know the rules, the playlist and the players.  People brave enough, smart enough and capable enough to show us the traps and tell us the truth. I have tried to be one of those. As I prepare to end my broadcast presence, I am on the hunt to recommend to the thousands of listeners who have depended on me over the last 34 years.  Kim Brown is one of those people. We are grateful to have her share our microphone.

Restructuring  and creating systems matter.“BURNING IT DOWN: BUILDING ANEW”

  “Burn it Down with Kim Brown” is a twice weekly live broadcast and Kim Brown calls out systemic issues within our society and envisioning a new world. She talks about how to restructure and create systems that are inclusive of everyone. She keeps it real, and actively destroys myths that the media and politicians love that we believe, like American Exceptionalism.

Burn It Down with Kim Brown is the place where you can set oppression ablaze. A Black woman led independent media that DGAF about taking on the establishment.

She makes a microphone rumble.

-Janice Graham

“Burn it Down with Kim Brown” is a twice weekly live broadcast and Kim Brown calls out systemic issues within our society and envisioning a new world. She talks about how to restructure and create systems that are inclusive of everyone. She keeps it real, and actively destroys myths that the media and politicians love that we believe, like American Exceptionalism.

Burn It Down with Kim Brown is the place where you can set oppression ablaze. A Black woman led independent media that DGAF about taking on the establishment.

BURNING IT DOWN with Kim Brown

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Why Conservatives Want to Cancel the 1619 Project – The Atlantic

Why Conservatives Want to Cancel the 1619 Project

A red elephant with text from the 1619 project on top.
RAQUEL ZALDIVAR / CHICAGO TRIBUNE / GETTY / THE ATLANTIC
Nikole Hannah-Jones is an award-winning Black journalist. She is also one of the developers of the 1619 Project, a journalistic examination of slavery’s role in shaping the American present. Last year, that work won her a Pulitzer Prize. Now it appears to have cost her a tenured chair at the University of North Carolina’s Hussman School of Journalism.

The news outlet NC Policy Watch reported on Monday that the university’s dean, chancellor, and faculty had backed Hannah-Jones’s appointment to the Knight Chair in Race and Investigative Journalism, a tenured professorship, after a “rigorous tenure process at UNC.” But in an extraordinary move, the board of trustees declined to act on that recommendation. Hannah-Jones was instead offered a five-year, nontenured appointment following public and private pressure from conservatives. Notably, other Knight Chairs at the journalism school have been tenured on its professional track, which acknowledges “significant professional experience” rather than traditional academic scholarship. Hannah-Jones’s Pulitzer and MacArthur genius grant surely qualify.

One anonymous trustee told NC Policy Watch that “the political environment made granting Hannah-Jones tenure difficult, if not impossible.” A statement from the Foundation for Individual Rights in Education noted that “if it is accurate that this refusal was the result of viewpoint discrimination against Hannah-Jones, particularly based on political opposition to her appointment, this decision has disturbing implications for academic freedom.”

If you’ve taken recent debates about free speech and censorship at face value, you might find Hannah-Jones’s denial of tenure deeply confusing. For the past five years, conservatives have been howling about the alleged censoriousness of the American left, in particular on college campuses. But the denial of tenure to Hannah-Jones shows that the real conflict is over how American society understands its present inequalities.

The prevailing conservative view is that America’s racial and economic inequalities are driven by differences in effort and ability. The work of Hannah-Jones and others suggests instead that present-day inequalities have been shaped by deliberate political and policy choices. What appears to be an argument about reexamining history is also an argument about ideology—a defense of the legitimacy of the existing social order against an account of its historical origins that suggests different policy choices could produce a more equitable society.

The 1619 Project is a particularly powerful part—but not the cause—of a Black Lives Matter–inspired reevaluation of American history that began in the waning years of the Obama administration. Many Americans were struggling to understand how a nation that had elected a Black president could retain deep racial disparities not only in the rate of poverty, access to education, and health care, but also in matters of criminal justice and political power. The election of Donald Trump, a president who understood American citizenship in religious and ethnonationalist terms, accelerated that process of reevaluation.

Like all the works this period of reevaluation has produced, the 1619 Project has its flaws—although fewer than its most fanatical critics would admit. But the details of its factual narrative were not what conservatives found most objectionable. Rather, they took issue with the ideological implications of its central conceit: that America’s true founding moment was the arrival of African slaves on America’s shores.

Hannah-Jones’s conservative detractors cast this claim as an argument that America is a fundamentally and irredeemably racist country—indeed, as NC Policy Watch notes, a columnist at the right-wing James G. Martin Center complained that the 1619 Project “seeks to reframe American history as fundamentally racist.” A different columnist at the same organization fumed that “young people—the white ones, at least—are even taught to hate themselves for the unforgivable sins of their ancestors.” The idea that ugly aspects of American history should not be taught, for fear that students—white students in particular—might draw unfavorable conclusions about America, is simply an argument against teaching history at all.

In truth, the animating premise of the 1619 Project is more threatening to the right—the idea that America can indeed be redeemed, by rectifying racial imbalances created by government policy.

The fight to define the American past is not new. In the middle of the 20th century, a massive conservative backlash erupted in California against a textbook co-written by the celebrated Black American historian John Hope Franklin. In it, Franklin offered a very different rendition of Black history from the one found in generations of American textbooks that hewed to doctrines of white supremacy and portrayed people of color in ways that were overtly racist or, at best, paternalistic. Franklin’s reevaluation of American history was, like Hannah-Jones’s, related to a national movement for Black rights.

The civil-rights movement of the mid-20th century was concurrent with the academy’s reevaluation of the Reconstruction era, whose attempts at building a genuine multiracial democracy in the South had until then been portrayed by most white scholars as a tragic mistake. Martin Luther King Jr. referred to the historian C. Vann Woodward’s The Strange Career of Jim Crow as the “historical bible” of the movement, by which he simply meant it showed that segregation had been the product of political choices rather than an inevitability. New choices could be made.

The tone of the textbook Franklin co-authored, Land of the Free, remained “resolutely patriotic,” as Joseph Moreau wrote in his account of the conflict in his book Schoolbook Nation. But this was not sufficient for the textbook’s opponents, who, Moreau wrote, believed that “history teaching existed to cultivate patriotism” and that the “debunking of historical myths or premature attempts to furnish young people with painful truths could not be countenanced.” Anxiety over the civil-rights movement, and this reevaluation of American history, fueled a white backlash against the textbook, and rewarded conservative politicians willing to exploit that sentiment. Franklin’s history was closer to the truth than the version his opponents wanted to promote—but the accuracy of the history was beside the point.

Again, it is not the case that every proposal to remedy racial inequality or fight discrimination is a good one. As my colleague Conor Friedersdorf has argued, some suggestions to remedy inequality in education are misguided or counterproductive. Good intentions do not a good idea make. But to accept that a problem exists is to accept the obligation to find a solution. And conservatives who don’t want to address America’s deep racial disparities are attempting to suppress any reading of history that suggests contemporary inequalities are the product of deliberate choices.

To that end, conservative opponents of what they derisively refer to as “wokeism” are engaged in a campaign to stigmatize such arguments, and where they can, use the state to purge them from the educational system. State legislatures are outlawing the teaching of “critical race theory” which in this context as my colleague Adam Harris reports, is ultimately a shorthand for “anything resembling an examination of America’s history with race.” The Trump administration threatened to investigate institutions of higher education that discussed systemic racism, and conservative state governments are interfering with state institutions of higher education.

In Texas, legislators are seeking to ban the teaching of the 1619 Project, and suppress the role of slavery in the state’s independence. The 1836 constitution of the Republic of Texas not only protected slavery, but also barred slave owners from emancipating the enslaved and denied “Africans, the descendants of Africans, and Indians” the ability to become citizens. The state government is seeking to prevent exhibits at the Alamo from “explaining that major figures in the Texas Revolution were slave owners.” As with the Trump White House’s “1776 Commission,” whose report reads like a Twitter thread from a cocaine-addled right-wing Wikipedia obsessive, the objective here is not a more accurate history but one that justifies the present economic and racial hierarchy, and offers conservatives, as Moreau put it in his book, a “comforting alternative to the burdens of the past.”
In the specific case of Hannah-Jones and UNC, the objective is to intimidate those who might share her views by showing that such views could cost them a job. As the conservative writer and aspiring politician J. D. Vance put it in a speech to the Claremont Institute, “If you’re fighting the values and virtues that make this country great, then the conservative movement should be about nothing if not reducing your power and if necessary destroying you.” The traditional argument between American liberals and conservatives is over what problems the state can or should remedy; the position of the Trumpist GOP is that the state is an instrument for destroying your enemies—by which its members simply mean Americans who disagree with them.

This won’t work with Hannah-Jones; in fact, I suspect it will make others more sympathetic to her arguments. But UNC’s decision also reflects an unhealthy conservative preoccupation with her as an individual—like many of us, Hannah-Jones has a combative social-media presence that has drawn critiques more personal than substantive. Although the essays from a variety of scholars and journalists published in the 1619 Project provoked a number of interesting discussions over issues such as slavery’s relationship to capitalism or health disparities, in the political debate these have been shunted aside in favor of a campaign to punish Hannah-Jones personally, and thereby discredit the 1619 Project as a whole, rather than contest its individual assertions or arguments.

Such attempts to stigmatize positions one disagrees with are a natural part of how societies form a consensus of acceptable opinion, and are distinct from using the power of the state to silence one’s opponents. But in this case, the same people who insist that harsh criticism of their ideas or behavior is a form of censorship are also highly engaged in using the state to suppress speech, on the grounds that the ideas they oppose are too dangerous to be allowed the usual protections.

The historical record shows that efforts to use the power of the state to settle an argument usually fail, although they can be successful for a time. The irony is that these awakenings about the truths of American history are the result of people attempting to warp the facts into a narrative that reassures them of their essential virtue, and subsequent generations discovering that what they were taught was but a bedtime story. These attempts to use the state to suppress ugly realities about the past are merely setting the stage for the next awakening.
ADAM SERWER is a staff writer at The Atlantic, where he covers politics.

Source: Why Conservatives Want to Cancel the 1619 Project – The Atlantic

‘Black Fatigue: How Racism Erodes the Mind, Body, and Spirit’ With Author Mary-Frances Winters | KUT Radio, Austin’s NPR Station

On this edition of In Black America, producer/host John L. Hanson Jr. speaks with Mary-Frances Winters, founder and president of The Winters Group, Inc., and author of Black Fatigue: How Racism Erodes the Mind, Body, and Spirit.

Black fatigue is the physical and psychological toll on African Americans’ daily lives as a result of systemic racism. The damage wrought by racism isn’t only the atrocities so powerfully condemned in the demonstrations and protests around the world.

Winters talks about African Americans being middle class and that being from a two-parent family does not protect them from systemic racism; how millennials and Generation Z continue to suffer under the hand of systematic oppression; and how, as a baby boomer, she lived through three different generations of racial discrimination and unrest in North America.

 

Source: ‘Black Fatigue: How Racism Erodes the Mind, Body, and Spirit’ With Author Mary-Frances Winters | KUT Radio, Austin’s NPR Station

How a Legacy of Organizing Among Domestic Workers Helped Turn Georgia Blue – Mother Jones

How a Legacy of Organizing Among Domestic Workers Helped Turn Georgia Blue

“Georgia is about to save our whole democracy, so we’re all in.”

“You ever been here?” Yterenickia Bell asks me as we wait for the door to the Cascade Skating Rink to be unlocked. “It’s historic,” she says, ushering me out of the December rain and into the fluorescent-lit roller-skating spot in west Atlanta’s Adamsville neighborhood. “People have been gathering here for years.”

The rink is awaiting the night crowd. Video games sit silent in a corner. The snack bar is dark except for a flashing neon sign. But it’s not empty: a handful of people in orange shirts and masks are chatting at the other end of the rink before braving the rain to get out the vote for Senate candidate Raphael Warnock. Bell is the GOTV director for Care in Action, an advocacy group whose members are mostly nannies, housecleaners, and home health workers. “We operate out of here because we have everyday folks that are workers that may have lost their jobs due to COVID, and a saturation of them live in this area,” she says. “It’s the community helping the community.”

I’d come to Georgia to see Democrats’ ground game ahead of the Senate runoff, and in particular, to understand the role that this group of domestic workers, most of whom are women of color, has had in turning the state purple. Right now the rink is the center of the action. From here, Bell has been organizing 250 door-knockers a day to get the word out about the race and voting logistics. “It takes people who are committed to this work, who know what’s at stake,” she says. “They have to get up every morning at eight o’clock to be here by nine for training and then go out to their specific turf and knock on people’s doors.” In the two months leading up to the runoff, Care in Action reached out to 5.85 million voters, either by phone, by mail, or in person, including more than 1 million door knocks. “Georgia is about to save our whole democracy, so we’re all in,” Bell says.

Those efforts paid off. Just after Georgians elected a Democrat for president for the first time in 30 years, they went on to pick Warnock, a Black preacher, and Jon Ossoff, a Jewish millennial, to represent them in the Senate, clinching Democrats’ narrow control of the chamber. In majority-Black precincts, early numbers indicated that the turnout in the January runoff would surpass that of November 2020 and reach a level not seen since Barack Obama’s 2012 reelection. Republican turnout was also strong, but not enough to turn back a second blue wave in so many months.

Though Care in Action is not affiliated with Stacey Abrams, who has been widely credited with turning Georgia blue, its work is a direct extension of Democrats’ decade-long effort to reshape the state by organizing voters of color. “What it takes to win in Georgia is a multiracial coalition,” says Rep. Nikema Williams, who served as Care in Action’s deputy director in 2018 and now holds the US House seat formerly held by Rep. John Lewis. And just as that coalition did not come together overnight, it also drew upon generations of organizing by Black domestic workers. “I do believe that investment in long-term, community-based organizing and power building does pay off,” says Ai-jen Poo, Care in Action’s senior adviser and the founder of the National Domestic Workers Alliance. “Throughout our history, Black domestic workers have organized and have really asserted their dignity through organizing.”

Atlanta is the birthplace of that movement. The first recorded domestic workers’ strike was in 1881, when Black women in Atlanta left their posts to demand better wages. Dorothy Lee Bolden helped create the National Domestic Workers Union of America (a precursor to NDWA) in the city in 1968. It was less a formal union than an education and advocacy effort, which Bolden led for nearly three decades. She built an infrastructure that took the union directly to the people it represented, using public buses to hold informal meetings and recruit domestic workers during their daily commute. There were two requirements to join the union: Members had to be domestic workers, and they had to vote.

The NDWU eventually spread to 10 more states, won workers’ compensation and Social Security benefits, and helped raise the minimum wage in Atlanta by 33 percent. Bolden also had an influential voice that affected national policy; her expertise was sought by presidents Nixon, Ford, and Carter.

The movement fizzled a bit in the ’80s as union power declined but it was revived a decade ago when Poo began organizing home care workers to push for greater labor protections. After notching win after win, she realized that the women she’d helped bring together were an untapped voting bloc. In 2018, she launched Care in Action to get out the vote for women candidates who stand by policies that domestic workers could benefit from. That same year, Abrams ran for governor of Georgia while pushing an unabashedly progressive agenda that included expanding Medicaid, raising the minimum wage, and ensuring quality public education. Abrams received Care in Action’s first endorsement, and the group mobilized 300 domestic workers to canvass for her.

People who worked on that campaign recall there was a beautiful synergy in domestic workers rallying for the possibility of Abrams becoming Georgia’s first Black governor. “We were very intentional about running a program that reached out to people that have been overlooked in the political process for way too long,” Williams recalls. “Our unique skill set was having our membership actually do the canvassing. It really changed the game for us and the way we were able to expand the electorate.”

Though Abrams lost her bid, thanks in no small part to the voter suppression tactics of her opponent, then–Secretary of State Brian Kemp, Poo and others felt they had bottled lightning. Indeed, in terms of people pounding the pavement, Care in Action was the largest independently funded grassroots effort in Georgia during the 2018 election cycle. Since then, it has expanded into Virginia, North Carolina, South Carolina, Nevada, Arizona, and Michigan. It started small, focusing on a few state candidates and the presidential election, with an eye toward expanding its operations in Georgia.

Despite the challenges presented by a pandemic that forced a rethink of its campaign outreach and infrastructure, Care in Action was able to carry the energy from 2018 through two more hard-fought races in 2020. “I think that [Abrams’ loss] was the momentum that we needed, that propelled us to be ready and to be able to launch for the Senate runoff as well as engage in a general,” Bell says. “We were able to essentially flip our state blue.”

The stakes are clear to Melanie Jackson, a domestic worker in the Atlanta area who tells me that canvassing with Care in Action made her feel like she was making a difference in a state whose elections have deep repercussions for the rest of the country. She recalls a recent conversation she’d had with a Black man in his 30s who told her he wasn’t planning to vote—he just didn’t feel like there was any point. She says she stared at him, incredulous. “You’re gonna miss the first opportunity to send a Black man from Georgia to the United States Senate?” she asked him.

He responded, “Sister, just because you said that, I’m going to go vote for the guy.”

“We locked eyes,” she told me. “I know that he went and followed through on that, and he probably thought about me as he was pressing those buttons. No doubt in my mind.”

FACT:

Mother Jones was founded as a nonprofit in 1976 because we knew corporations and the wealthy wouldn’t fund the type of hard-hitting journalism we set out to do.

Today, reader support makes up about two-thirds of our budget, allows us to dig deep on stories that matter, and lets us keep our reporting free for everyone. If you value what you get from Mother Jones, please join us with a tax-deductible donation today so we can keep on doing the type of journalism 2021 demands.

Source: How a Legacy of Organizing Among Domestic Workers Helped Turn Georgia Blue – Mother Jones

Octavia Butler and Toni Morrison Gave Us New Eyes to See | Sojourners

OCTAVIA BUTLER AND TONI MORRISON GAVE US NEW EYES TO SEE

How speculative imaginations are providing tools to act for change.

A FEW YEARS ago, an acquaintance and I found ourselves debating the value of art in a capitalist society—a suitably light topic for a summer evening. My companion believed strongly that art must explicitly denounce the world’s injustices, and if it did not, it was reinforcing exploitative systems. I, ever the aesthete, found this stance reasonably sound from a moral perspective but incredibly dubious otherwise.

Then, as now, I consider art’s greatest function to be its capacity for expanding our conceptions of reality, not simply acting as moralistic propaganda. After all, the foundational thing you learn in art history is that the first artists were mystics, healers, and spiritual interlocutors—not politicians.

We started making art, it seems, to cross the border between our world and one beyond. Prehistoric wall paintings of cows and lumpy carvings of fertility goddesses serve as the earliest indications of our species’ artistic inclinations, blurring the lines between religious ritual and art object. Even as the world crumbles around us, I am convinced we must hold onto art’s spiritual properties rather than succumbing to the allure of work that only addresses our current systems.

Source: Octavia Butler and Toni Morrison Gave Us New Eyes to See | Sojourners

Under CARES Act, These Moms Should Be Home. They Remain in COVID-Filled Prisons.

When COVID entered the federal medical prison in Carswell, Texas, it ballooned within weeks — of the 1,288 people tested, 504 were positive. In one housing unit of 300 women, only 26 women tested negative, including 56-year-old Sandra Shoulders.

Shoulders has severe diabetes, respiratory problems, and, since entering prison in 2015, chronic kidney disease, leaving her at only 30 percent kidney function. All of these make her more vulnerable to becoming debilitated, if not dying, from COVID.

Meanwhile, the prison’s practices discourage people from getting tested for COVID. “Even when inmates feel ill now, they are so scared of those conditions to speak up,” Shoulders explained. She described how those who tested positive were treated: “You are held in a room, and expected to wear the same set of clothes for 21+ days, without laundry facilities. Food is dropped by the door and physically kicked into the room by the guards.”

After Congress passed the Coronavirus Aid, Relief and Economic Security (CARES) Act, Attorney General William Barr issued a memo to the Bureau of Prisons (BOP), the agency responsible for federal prisons, expanding the criteria under which to release people to home confinement to stem the spread of COVID. The expanded criteria prioritize people whose age or health makes them vulnerable to COVID, as well as those in low- and medium-security prisons, people whose reentry plans show that they are less likely to contract COVID if not incarcerated, and people with low risk-assessment (or PATTERN) scores.

In August, a prison case manager said that Shoulders qualified for home confinement on September 25. Elated, she began making plans to join her godsister in Chicago. She also planned to reconnect with her three children and her 16 grandchildren, some of whom she only knew through photos and video calls.

Sandra Shoulders before incarceration.

Three weeks later, prison administrators told Shoulders that the BOP’s Central Office had denied her release. She was not told why. “I had to call my family and give them this heartbreaking news,” Shoulders told Truthout. The news not only left her reeling, but sent Shoulders — who has bipolar disorder, an anxiety disorder and obsessive-compulsive disorder — into what she calls a “serious mental health crisis and meltdown.”

Full article and the series.

Source: Under CARES Act, These Moms Should Be Home. They Remain in COVID-Filled Prisons. 

The First Reviews of Their Eyes Were Watching God | Book Marks

It is so easy to be hopeful in the daytime when you can see the things you wish on. But it was night, it stayed night. Night was striding across nothingness with the whole round world in his hands . . . They sat in company with the others in other shanties, their eyes straining against cruel walls and their souls asking if He meant to measure their puny might against His. They seemed to be staring at the dark, but their eyes were watching God.

 

Now considered one of the greatest novels of the 20th century, Zora Neale Hurston’s Their Eyes Were Watching God had to travel a rocky road to immortality. Initial reviews ranged from positive to condescending to downright hostile, as many in the African American literary community bristled at Hurston’s rejection of the Harlem Renaissance and W.E.B. Du Bois’ Uplift agenda. A decades-long wilderness period in which both the novel and its author fell into obscurity ended with the establishment of several Black Studies programs in universities across America in the 1970s and 1980s. This, coupled with a growing black feminist movement, spearheaded by activist writers like Audre Lorde and Alice Walker, helped create a space in which Hurston’s work could be rediscovered. Walker’s 1975 essay, ‘Looking for Zora,’ in which she chronicled her search for Hurston’s unmarked grave, was a particularly significant part of this effort.

83 years on from its publication, we take look back at some of the original reviews of Their Eyes Were Watching God.

*

“Whether or not there was ever a town in Florida inhabited and governed entirely by Negroes, you will have no difficulty believing in the Negro community which Zora Neale Hurston has either reconstructed or imagined in this novel. The town of Eatonville is as real in these pages as Jacksonville is in the pages of Rand McNally; and the lives of its people are rich, racy, and authentic. The few white characters in the book appear momentarily and incidentally. The title carries a suggestion of The Green Pastures, but it is to this extent misleading; no religious element dominates this story of human relationships … The only weak spots in the novel are technical; it begins awkwardly with a confusing and unnecessary preview of the end; and the dramatic action, as in the story of the hurricane, is sometimes hurriedly and clumsily handled. Otherwise the narration is exactly right, because most of it is in dialogue, and the dialogue gives us a constant sense of character in action. No one has ever reported the speech of Negroes with a more accurate ear for its raciness, its rich invention, and its music.”

–George Stevens, The Saturday Review of Literature, September 18, 1937

 

“Miss Hurston seems to have no desire whatever to move in the direction of serious fiction … Miss Hurston can write, but her prose is cloaked in that facile sensuality that has dogged Negro expression since the days of Phillis Wheatley. Her dialogue manages to catch the psychological movements of the Negro folk-mind in their pure simplicity, but that’s as far as it goes. Miss Hurston voluntarily continues in her novel the tradition which was forced upon the Negro in the theatre, that is, the minstrel technique that makes the ‘white folks’ laugh. Her characters eat and laugh and cry and work and kill; they swing like a pendulum eternally in that safe and narrow orbit in which America likes to see the Negro live: between laughter and tears … The sensory sweep of her novel carries no theme, no message, no thought. In the main, her novel is not addressed to the Negro, but to a white audience whose chauvinistic tastes she knows how to satisfy. She exploits that phase of Negro life which is ‘quaint,’ the phase which evokes a piteous smile on the lips of the ‘superior’ race.”

–Richard Wright, The New Masses, October 5, 1937

 

“This is Zora Hurston’s third novel, again about her own people–and it is beautiful. It is about Negroes, and a good deal of it is written in dialect, but really it is about everyone, or least everyone who isn’t so civilized that he has lost the capacity for glory … The story of Janie’s life down on the muck of Florida Glades, bean picking, hunting and the men shooting dice in the evening and how the hurricane came up and drove the animals and the Indians and finally the black people and the white people before it, and how Tea Cake, in Janie’s eyes the ‘son of Evening Son,’ and incidentally the best crap shooter in the place, made Janie sing and glitter all over at last, is a little epic all by itself. Indeed, from first to last this is a well nigh perfect story–a little sententious at the start, but the rest is simple and beautiful and shining with humor. In case there are readers who have a chronic laziness about dialect, it should be added that the dialect here is very easy to follow, and the images it carries are irresistible.”

–Lucille Tompkins, New York Times Book Review, September 26, 1937

 

“It isn’t that this novel is bad, but that it deserves to be better. In execution it is too complex and wordily pretty, even dull—yet its conception of these simple Florida Negroes is unaffected and really beautiful … Through these chapters there has been some very shrewd picturing of Negro life in its naturally creative and unself-conscious grace … If this isn’t as grand as it should he, the breakdown comes in the conflict between the true vision and its overliterary expression. Crises of feeling are rushed over too quickly for them to catch hold, and then presently we are in a tangle of lush exposition and overblown symbols; action is described and characters are talked about, and everything is more heard than seen. The speech is founded in observation and sometimes wonderfully so, a gold mine of traditional sayings…But although the spoken word is remembered, it is not passed on. Dialect is really sloppy, in fact…And so all this conflict between the real life we want to read about and the superwordy, flabby lyric discipline we are so sick of leaves a good story where it never should have been potentially: in the gray category of neuter gender, declension indefinite.”

–Otis Ferguson, The New Republic, October 13, 1937

 

“And now, Zora Neale Hurston and her magical title: Their Eyes Were Watching God. Janie’s story should not be re-told; it must be read. But as always thus far with this talented writer, setting and surprising flashes of contemporary folk lore are the main point. Her gift for poetic phrase, for rare dialect, and folk humor keep her flashing on the surface of her community and her characters and from diving down deep either to the inner psychology of characterization or to sharp analysis of the social background. It is folklore fiction at its best, which we gratefully accept as an overdue replacement for so much faulty local color fiction about Negroes. But when will the Negro novelist of maturity, who knows how to tell a story convincingly — which is Miss Hurston’s cradle gift, come to grips with motive fiction and social document fiction? Progressive southern fiction has already banished the legend of these entertaining pseudo-primitives whom the reading public still loves to laugh with, weap over and envy. Having gotten rid of condescension, let us now get over oversimplication!”

–Alain Locke, Opportunity, June 1, 1938

Opinion | My Mother’s Death Will Have Everything and Nothing to Do With Covid-19 – The New York Times

My Mother Is Busy Getting Ready to Die

No insurance. 64 years old. Alone, along with all the other black people at the bottom of the pandemic.

By 

Dr. Manigault-Bryant is an associate professor of Africana studies at Williams College.

My mother is dying a painful death, and it has everything and nothing to do with Covid-19.

In a piece for The Atlantic detailing the ways in which the coronavirus seems to be hitting black people the hardest, Ibram X. Kendi wrote: “Sometimes racial data tell us something we don’t know. Other times we need racial data to confirm something we already seem to know.” My mother is a living example of what we already know about race, class and suffering.

She is not in an elder-care facility, nor a hospital. She has not been, and most likely will not be, tested for the virus or receive a diagnosis of having it.

Still, hers is the body of all the black people at the bottom of the pandemic. No insurance, though not for lack of trying. Medicaid applications denied for reasons we don’t understand. Inconsistent care at a local public clinic meant hard-to-come-by appointments and checkups only at moments deemed most critical. It wasn’t enough.

Now, she’s dying from end-stage liver disease and kidney failure, diagnosed too late to save her. This has nothing to do with Covid-19.

She is not even that old (64, and thus Medicare ineligible), but FaceTime tells no lies, and she is wasting away before us. What’s worse, even as I’m exactly four hours and three minutes away — geographically closer than I’ve been in over a decade — I can’t be near her, touch her, cook for her, kiss her or tell her all of the things that I don’t yet know I need to say. This has everything to do with Covid-19.
On the occasion she’s strong enough to answer the phone, holding the phone for FaceTime proves too much. Calls come too late, even as time is too short. The grandchildren who live close by cannot get close to her — the idea of transmitting anything to her, as she’s so obviously immune-compromised, is terrifying. The underlying conditions would amplify an already-certain death. This has everything to do with Covid-19.

My brother, who lives exactly six minutes and 24 seconds away from Mommy, risks seeing her because someone needs to make sure she’s still breathing. That check-in is thus essential. He scrubs himself clean after work with all manner of chemicals — he’s a waste management truck driver, an essential employee. This is an effort to protect her. He’s close to her. This is an effort to protect us. This has everything to do with Covid-19.

He tries to get her to eat something other than her single meal of applesauce and Vienna sausages. This has nothing to do with Covid-19.

It’s officially power-of-attorney and health-proxy time. Getting my mother to the lawyer — a four-minute drive — is a thing. My brother and I spend hours strategizing transportation. The errand feels like it takes an eternity. This has everything to do with Covid-19.

Like so many, countless others, my family and I are going to be left with the unsettling weight of her death. My mother is going to die soon, and it will most likely be alone. I am afraid. I am one of many grieving, forever-changed faces. No repast. No low-country songs sung graveside. No sending up our timber for her. We cannot grieve properly. Lots of regret. This has everything to do with Covid-19.

When the pandemic is over, we still won’t know how to deal with this. We’re not ready for this kind of grief. Death is so utter, so absolute, yet so much right now is uncertain. My mother is dying a painful death, and it has everything and nothing to do with Covid-19.

LeRhonda S. Manigault-Bryant (@DoctorRMB) is associate professor of Africana studies at Williams College and the author of “Talking to the Dead: Religion, Music, and Lived Memory Among Gullah/Geechee Women.”

 

“One Side Dark, Other Side Hard : Black America In the GAP ” § May 16, 2020

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Guest: Dr. Deirdre Cooper Owens, Ph.D.

Professor and Director of the Humanities in Medicine Program at the University of Nebraska-Lincoln;

Author, “Medical Bondage: Race, Gender, and the Origins of American Gynecology”

May 16, 2020    ↔ 10 pm EDT LIVE
Tune In Here: http://bit.ly/OCGTruthTalk

Deirdre Cooper Owens is the Linda and Charles Wilson Professor in the History of Medicine and Director of the Humanities in Medicine program at the University of Nebraska-Lincoln. She is an Organization of American Historians’ (OAH) Distinguished Lecturer and has won a number of prestigious honors that range from the University of Virginia’s Carter G. Woodson Postdoctoral Fellowship in the Woodson Institute for African-American and African Studies to serving as an American Congress of Obstetrics and Gynecology Fellow in Washington, D.C.

Cooper Owens earned her Ph.D. from UCLA in History and wrote an award-winning dissertation while there. A popular public speaker, she has published articles, essays, book chapters, and think pieces on a number of issues that concern African American experiences. Recently, Cooper Owens finished working with Teaching Tolerance and the Southern Poverty Law Center on a podcast series about how to teach U.S. slavery and Time Magazine listed her as an “acclaimed expert” on U.S. history in its annual “The 25 Moments From American History That Matter Right Now.”

Her first book, Medical Bondage: Race, Gender and the Origins of American Gynecology (UGA Press, 2017) won the 2018 Darlene Clark Hine Book Award from the OAH as the best book written in African American women’s and gender history.

Professor Cooper Owens is also the Director of the Program in African American History at the Library Company of Philadelphia, the country’s oldest cultural institution founded by Benjamin Franklin in 1731. She is working on a second book project that examines mental illness during the era of United States slavery and is writing a popular biography of Harriet Tubman that examines her through the lens of disability.

We will be talking with her about Black America in the pandemic, historical underbelly of health history and its impact on us today. How we find comfort, how we face our fears and our deaths.

Ruby Sales — Where Does It Hurt? – The On Being Project

Civil rights legend Ruby Sales (OUR COMMON GROUND Voice) learned to ask “Where does it hurt?” because it’s a question that drives to the heart of the matter — and a question we scarcely know how to ask in public life now. Sales says we must be as clear about what we love as about what we hate if we want to make change. And even as she unsettles some of what we think we know about the force of religion in civil rights history, she names a “spiritual crisis of white America” as a calling of today.

Source: Ruby Sales — Where Does It Hurt? – The On Being Project  

Ruby Nell Sales is a highly-trained, experienced, and deeply-committed social activist, scholar, administrator, manager, public theologian, and educator in the areas of Civil, Gender, and other Human Rights. She is an excellent public speaker, with a proven track record in conflict resolution and consensus building. Ms. Sales has preached around the country on race, class, gender, and reconciliation, and she has done ground-breaking work on community and nonviolence formation. Ms. Sales also serves as a national convener of the Every Church A Peace Church Movement.

Along with other SNCC workers, Sales joined young people from Fort Deposit, Alabama who organized a demonstration to protest the actions of the local White grocery-store owners who cheated their parents. The group was arrested and held in jail and then suddenly released. Jonathan Daniels, a White seminarian and freedom worker from Episcopal Divinity School in Cambridge, Massachusetts was assassinated as he pulled Sales out of the line of fire when they attempted to enter Cash Grocery Store to buy sodas for other freedom workers who were released from jail. Tom Coleman also shot and deeply wounded Father Richard Morrisroe, a priest from Chicago. Despite threats of violence, Sales was determined to attend the trial of Daniels’ murderer, Tom Coleman, and to testify on behalf of her slain colleague.

As a social activist, Sales has served on many committees to further the work of reconciliation, education, and awareness. She has served on the Steering Committee for International Women’s Day, Washington, D.C.; the James Porter Colloquium Committee, Howard University, Washington, D.C.; the Coordinating Committee, People’s Coalition, Washington, D.C.; the President’s Committee On Race, University of Maryland; and the Coalition on Violence Against Women, Amnesty International, Washington, D.C. She was a founding member of Sage Magazine: A Scholarly Journal on Black Women. Sales received a Certificate of Gratitude for her work on Eyes on the Prize. Additionally, she was featured in Broken Ground: A Film on Race Relations in the South, by Broken Ground Productions. From 1991-1994, Sales founded and directed the national nonprofit organization Women of All Colors, dedicated to improving the overall quality of life for women, their families, and the communities in which they live. Women of All Colors organized a week-long SisterSpeak that brought more than 80 Black women together to set a national agenda.

In 2000, Dan Rather spotlighted Sales on his “American Dream” Segment. In 1999, Selma, Alabama gave Sales the key to the city to honor her contributions there. In 2007, Sales moved to Columbus, Georgia, where she organized: a southern summit on racism; a national write-in campaign to save Albany State from being merged into a White college; a grassroots and media campaign to shed light on the death of seventeen year old, Billye Jo Johnson, who allegedly killed himself on a dark road in Lucedale, Mississippi when a deputy stopped him for speeding; Long Train Running Towards Justice, which celebrated the work of Black teachers during segregation and explored the ways that the Black school culture has been destroyed by White officials under the guise of desegregation; and a meeting with students at Savannah State to assist them in organizing and mobilizing a move by officials to merge Savannah State with a White college.

“Ruby Nell Sales is an African-American social justice activist. She attended local segregated schools and was also educated in the community during the 1960s era of the Civil Rights Movement. She has been described as a “legendary civil rights activist” by the PBS program “Religion and Ethics Weekly” Wikipedia
BornJuly 8, 1948 (age 71 years), Jemison, AL
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