Lies, Newsweek and Control of the Media Narrative: First-Hand Account | Tareq Haddad

“A mafia runs editors. Freedom of the press is dead. Journalists and ordinary people must stand up.”

A mafia runs editors. Freedom of the press is dead. Journalists and ordinary people must stand up.


Until several days ago, I was a journalist at Newsweek. I decided to hand my resignation in because, in essence, I was given a simple choice. On one hand, I could continue to be employed by the company, stay in their chic London offices and earn a steady salary—only if I adhered to what could or could not be reported and suppressed vital facts. Alternatively, I could leave the company and tell the truth.

In the end, that decision was rather simple, all be it I understand the cost to me will be undesirable. I will be unemployed, struggle to finance myself and will likely not find another position in the industry I care about so passionately. If I am a little lucky, I will be smeared as a conspiracy theorist, maybe an Assad apologist or even a Russian asset—the latest farcical slur of the day.

Although I am a British citizen, the irony is that I’m half Arab and half Russian. (Bellingcat: I’m happy to answer any requests.)

It is a terribly sad state of affairs when perfectly loyal people who want nothing but the best for their countries are labelled with such preposterous accusations. Take Iraq war veteran and Hawaii congresswoman Tulsi Gabbard for example, who was the target of such mud slinging for opposing U.S. involvement in Syria and for simply standing up to the Democratic Party’s most corrupt politician, Hillary Clinton. These smears are immature for a democracy—but I, in fact, welcome such attacks.

When the facts presented are utterly ignored and the messengers themselves are crucified in this way, it signals to right-minded people who the true perpetrators of lies are and where the truth in fact lies.

That truth is what matters most to me. It is what first drove me to journalism while I was working in Jersey’s offshore finance industry after completing my degree from Binghamton University’s School of Management in upstate New York. I was so outraged when I grew to realize that this small idyllic island I love and had grown up on since the age of nine, a British Crown dependency fifteen miles off the coast of France, was in fact a hub for global tax evasion. This realization came to me while the British people were being told that austerity had to continue—public funding for schools, hospitals, policing and all matter of things were to be slashed—all while the government “recovered” after bailing out the banks following the 2008 crash. That austerity lie was one I could no longer stomach as soon as I came to understand that my fairly uninspiring administrative role was in fact a part of this global network of firms to help multinational companies, businessmen, politicians and members of various royal families in avoiding paying trillions in tax—all under a perfectly legal infrastructure that the government was fully aware of, but kept quiet about.


Rad the full publication: Lies, Newsweek and Control of the Media Narrative: First-Hand Account | Tareq Haddad

2013 Academy Award Nominations: “And the Winner is … The CIA” l Centre for Research on Globalization

2013 Academy Award Nominations: “And the Winner is … The CIA”

The Oscars: Extraordinary and glaring contradictions

Global Research, January 13, 2013

This year’s Academy Award nominations were announced Thursday morning during a media event at the Samuel Goldwyn Theater in Beverly Hills, California.

The award ceremony itself will take place February 24 at the Dolby Theater in Hollywood.

In 2012 the American film industry presented an extraordinary contradiction, between those showing an interest in social life and history, on the one hand, and those eagerly endorsing the “dark side” of imperialist policy, on the other. In their own inimitably muddle-headed fashion, the Oscar nominations reflect this divide.

With twelve, Steven Spielberg’s Lincoln received the largest number of nominations, including those for best picture, actor (Daniel Day-Lewis), supporting actor (Tommy Lee Jones), supporting actress (Sally Field), director (Spielberg), adapted screenplay (Tony Kushner), cinematography (Janusz Kaminski), costume design (Joanna Johnston), editing (Michael Kahn) and original score (John Williams).

This film about a social revolution, one of the most immense struggles for social progress of the 19th century, shared in the awards nomination bounty with Zero Dark ThirtyKathryn Bigelow’s quasi-fascistic glorification of the role played by the CIA in the so-called “war on terror,” which was tapped for five awards; Django Unchained, Quentin Tarantino’s foul and racialist fantasy about the antebellum period, also nominated in five categories; and Argo, another tribute to the CIA, directed by Ben Affleck, this one concerning the Iran hostage crisis of 1979-80, which was named for seven possible awards.

Opposed groupings and factions within the film industry may back the different works, but it doesn’t take any stretch of the imagination to suppose that a fairly representative figure in contemporary Hollywood might well favor both Lincoln and, say, Bigelow’s deplorable film. The degree of bewilderment, willful or otherwise, about both artistic and political matters is that great.

The nominations overall demonstrated an effort to cover every possible base.

Life of Pi, a murky, semi-religious ode to the little things in life, which also preaches ethnic and religious tolerance, won eleven nominations, second most to Lincoln. One of David O. Russell’s weaker films, Silver Linings Playbook, about a semi-dysfunctional working class couple in Philadelphia, one of this year’s official “tributes to the human spirit,” was nominated in eight categories. An obligatory big-budget action picture, Skyfall the latest James Bond, was nominated for five awards. A sentimental (and musical) depiction of poverty and oppression in 19th century France, Les Miserables, carried off eight nominations.

Beasts of the Southern Wild

Also receiving recognition, somewhat surprisingly, were the independent Beasts of the Southern Wild, a poetical consideration of post-Katrina Louisiana (four nominations), and Austrian filmmaker Michael Haneke’s Amour, about an elderly couple confronting disease and the approach of death (five nominations). The interesting Searching for Sugar Man was nominated in the best documentary feature category.

Searching for Sugar Man

The Academy Awards process is always a peculiar one. The combination of confusion, liberal good intentions, semi-philistinism, self-congratulation and political blindness is a particular expression, refracted through the peculiarities of the entertainment business, of the thinking and feeling of sections of the better-paid professional middle classes in America. This is not the best crowd, and it is not the worst.

To the extent that such people, including of course Spielberg himself, remain in thrall to the Democratic Party and Barack Obama, they are both politically and artistically limited. The subordination to the Democrats speaks to and ensures their distance from the concerns and needs of the overwhelming majority of the working population. Insulated from the economic hardships facing tens of millions and all too ignorant of history and the social process, prominent figures in the film world tend to accept the view self-servingly advanced by the media that the mass of the American people is backward and conservative. To a shameful extent they cower before the right-wing media, terrified of being attacked as “un-American” and unpatriotic.

This is bound up with the ongoing consequences of the anti-communist purges of the 1950s, which still haunt Hollywood. The most “radical” and “controversial” work today remains firmly within the framework of an acceptance of the present social and economic order.

Events will help clarify the best elements in filmmaking. One can even imagine a day when considerable numbers in Hollywood may be able to distinguish between a work that celebrates the cause of human liberation and one that identifies with its bitterest and most murderous enemies.



The Complete List of Nominations

Here is the complete nominations lists:

Best Motion Picture

Beasts of the Southern Wild
Django Unchained
Les Misérables
Life of Pi
Silver Linings Playbook
Zero Dark Thirty 

Achievement in Directing

Ang Lee, Life of Pi
Benh Zeitlin, 
Beasts of the Southern Wild
David O. Russell, Silver Linings Playbook
Michael Haneke, 
Steven Spielberg, Lincoln

Performance by an Actor in a Leading Role

Bradley Cooper, Silver Linings Playbook
Daniel Day-Lewis, Lincoln
Denzel Washington, Flight
Hugh Jackman, Les Misérables
Joaquin Phoenix, The Master

Performance by an Actress in a Leading Role

Emmanuelle Riva, Amour
Jennifer Lawrence, Silver Linings Playbook
Jessica Chastain, Zero Dark Thirty
Naomi Watts, 
The Impossible
Quvenzhané Wallis, Beasts of the Southern Wild

Performance by an Actor in a Supporting Role

Alan Arkin, Argo
Christoph Waltz, Django Unchained
Phillip Seymour Hoffman, The Master
Robert De Niro, Silver Linings Playbook
Tommy Lee Jones, Lincoln

Performance by an Actress in a Supporting Role

Amy Adams, The Master
Anne Hathaway, Les Miserables
Helen Hunt, The Sessions
Jacki Weaver, Silver Linings Playbook
Sally Field, Lincoln

Best Animated Feature Film

The Pirates! Band of Misfits
Wreck-It Ralph

Original Screenplay

Amour, Michael Haneke
Django Unchained, Quentin Tarantino
Flight, John Gatins
Moonrise Kingdom, Wes Anderson and Roman Coppola
Zero Dark Thirty, Mark Boal

Adapted Screenplay

Argo, Chris Terrio
Beasts of the Southern Wild, Lucy Alibar and Benh Zeitlin
Life of Pi, David Magee
Lincoln, Tony Kushner
Silver Linings Playbook, David O. Russell

Best Foreign-Language Film

A Royal Affair (Denmark)
No (Chile)
War Witch (Canada)
Kontiki (Norway)

Original Score

Anna Karenina, Dario Marianelli
Argo, Alexandre Desplat
Life of Pi, Mychael Danna
Lincoln, John Williams
Skyfall, Thomas Newman

Original Song

“Before My Time,” J. Ralph; Chasing Ice
“Everybody Needs a Best Friend,” Walter Murphy and Seth McFarlane; Ted
“Pi’s Lullaby,” Mychael Danna and Bombay Jayashri; Life of Pi
“Skyfall,” Adele Adkins and Paul Epworth; Skyfall
“Suddenly,” Claude-Michel Schönberg, Herbert Kretzmer and Alain Boulil; Les Misérables 

Achievement in Production Direction

Anna Karenina
The Hobbit: An Unexpected Journey
Les Misérables
Life of Pi

Achievement in Cinematography

Anna Karenina, Seamus McGarvey
Django Unchained, Robert Richardson
Life of Pi, Claudio Miranda
Lincoln, Janusz Kaminski
Skyfall, Roger Deakins

Achievement in Costume Design

Anna Karenina, Jacqueline Durran
Les Misérables, Paco Delgado
Lincoln, Joanna Johnston
Mirror Mirror, Eiko Ishioka
Snow White and the Huntsman, Colleen Atwood

Best Documentary Feature

5 Broken Cameras
The Gatekeepers
How to Survive a Plague
The Invisible War
Searching for a Sugar Man

Best Documentary Short Subject

Kings Point
Mondays at Racine
Open Heart

Achievement in Film Editing

Life of Pi
Silver Linings Playbook
Zero Dark Thirty

Achievement in Makeup & Hairstyling

The Hobbit: An Unexpected Journey
Les Misérables

Best Animated Short Film

Adam and Dog
Fresh Guacamole
Head Over Heels
Maggie Simpson in “The Longest Daycare”

Best Live-Action Short Film

Buzkashi Boys
Death of a Shadow

Achievement in Sound Editing

Django Unchained
Life of Pi
Zero Dark Thirty

Achievement in Sound Mixing

Les Misérables
Life of Pi

Achievement in Visual Effects

The Hobbit: An Unexpected Journey
Life of Pi
Marvel’s The Avengers
Snow White and the Huntsman


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