Whiteness Is the Greatest Racial Fraud | Boston Review

Whiteness Is the Greatest Racial Fraud

The Krugs and Dolezals dominate the headlines, but they are distractions from the fraud that imperils us all: believing oneself to be white.

LUVELL ANDERSON

Image: Boston Review

What is racial fraud and how is it possible? The answer would be clear enough, perhaps, if race were a biological reality. But the consensus seems to be that race is a social construction, a product of human ingenuity. So why can’t you choose to be any race you want?

Rachel Dolezal, the former president of the Spokane NAACP who identifies as Black despite being born to white parents, clearly believes we are free to choose our racial identity. Her case would seem to expose the limits of thinking of race as a social construction. If races are social rather than biological, some commentators on Dolezal suggest, we are free to make of them what we will; there are no rules. Yet responses to Dolezal tell a different tale. A 2015 Rasmussen survey of 1,000 likely U.S. voters found that 63 percent believed Dolezal was being deceitful in claiming to be Black: she was engaged in a kind of racial fraud.

The subtlest version of racial fraud—the fraud of whiteness itself—is the one we should be most concerned about, for it is by far the most destructive to our polity.

Is it incoherent to believe both that race is a social construct and that racial fraud is possible? In other words, does endorsing the notion of racial fraud require believing races are biological, after all? Literary scholar Walter Benn Michaels makes this sort of argument in his 1994 essay “The No-Drop Rule,” and versions of that idea endure. Michaels’s claim basically amounts to this: in order for a charge of racial fraud to have any normative power—that is, the kind of authority we generally grant to statements about what we should and should not do—it must rely on the claim that race is an essential, biological part of who we are.

But Michaels is wrong: normative significance does not ride on racial essences. In his 2008 essay “Race, Multiculturalism and Democracy,” philosopher Robert Gooding-Williams explains the error. Following Adrian Piper, Gooding-Williams claims that racial classification is the result of being subjected to a practice that counts one as a member of a particular race. Michaels wrongly assumed that for social constructionists, one’s racial identity is determined solely by visual features. But, at least in the United States, racial identification draws on both visual and cognitive criteria: facial characteristics, hair texture, skin color, ancestry. That is why, Gooding-Williams writes, “someone who would not be classified as black on the basis of visual criteria could still be black because Americans’ conventional (though not universal) adherence to the one-drop rule cognitively identifies her as black.” In saying that Dolezal committed racial fraud, you do not have to believe that race is biological. You simply have to think that the practice of racial classification cognitively identifies her as white. In other words, social construction can be ruled-governed without appealing to biological essence.

What does this tell us about debates over racial fraud today? While people like Dolezal, former George Washington University professor Jessica Krug, graduate student CV Vitolo-Haddad, and activist Satchuel Cole dominate the headlines, there are more subtle forms of this phenomenon to which we should pay attention. The most obvious versions are often easiest to denounce, perhaps because they are more easily detected or recognized. But I think the subtlest version—the fraud of whiteness itself—is the one we should be most concerned about, for it is by far the most destructive to our polity. To understand its stakes, we must see how it differs from two other, more familiar types of racial fraud.

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Perhaps the most familiar type of racial fraud amounts to identity theft. A classic example occurs in the 1986 movie Soul Man, in which the character Mark Watson (played by C. Thomas Howell), a white Californian, poses as a Black man in order to get a scholarship from Harvard Law School. To pull it off, Watson takes tanning pills, perms his hair, learns a few cultural references, essentially donning blackface for the sake of personal gain. He attempts to defraud Harvard and others by misrepresenting himself, the white son of a wealthy psychiatrist, as a Black man.

Racial fraud as identity theft seems to be quite clearly what is happening in cases like that of Krug as well. Krug outed herself as a white woman last fall after having claimed various Black identities over the years. She deceived others by misrepresenting herself as something she isn’t, appropriating the identities of North Africans, African Americans, and finally Bronx-based Afro-Latinx. Krug’s posing took place all while building her career as a scholar working on the history of Africa and the African diaspora. Perhaps she believed doing so would boost her credibility as a scholar.

However, personal gain is only one basis for engaging in this kind of identity theft. Another basis is fetishization. Sometimes a person’s admiration for a group of people can result in a kind of conflation where that person no longer recognizes a distinction between themselves and the group. Arguably, this is what may have happened with Dolezal. Before her true parentage was revealed, part of her identification included claiming a Black man as her father, claiming her adopted Black brothers as her sons, wearing hairstyles typically associated with Black women, and tanning her skin to make it darker. Dolezal continues to identify as Black even after being exposed. This suggests a different motivation from that of the personal gain of things like money or social status.

It is the need to protect the ultimate fraud of whiteness that imperils not only the vulnerable other, but everyone.

Perhaps a clearer instance of fetishization is the case of German model Martina Big. Once a blonde-haired, white-skinned German woman, she has since transitioned into a brown-skinned, black-haired “Black” woman. On her website, she says she changed her ethnicity in 2017 to Black and has changed her legal name to Malaika Kubwa. She also notes that she very much likes her “new African look” and will complete the transformation by changing her facial features to “African” and enlarging her buttocks. Big—along with her husband, Michael Eurwen, who has also been injecting Melanotan to darken his skin—expressed plans to move to Kenya to “be with her ‘people’ and learn how to raise a family in the African way.”

Why should we be concerned with racial identity theft? Engaging in racial fraud for personal gain is wrong because it typically cheats members of marginalized groups out of resources intended to redress historic injustices. Racial fraud motivated by fetishization, however, is more complicated. Dolezal, for instance, was certainly wrong for the lies she told in presenting herself as Black. Big, on the other hand, does not appear to have engaged in such behavior. Her actions appear more pathological than diabolical. Big is also an extreme case. Less extreme cases may provoke more debate about what exactly is at issue. Perhaps the mildest form of these cases falls into a second type of fraud—a certain kind of appropriation.

In her book White Negroes (2019), Lauren Michele Jackson thinks through the stakes of cultural appropriation. She makes clear that the “act of cultural transport is not in itself an ethical dilemma. Appropriation can often be a means of social and political repair.” What matters, in her view, is the combination of cultural appropriation with power: white people profiting from the cultural productions of Black people, all the while denying credit to the originators—resulting in the erasure of Black contributions to society. And as Jackson notes, these kinds of appropriations exacerbate and prolong our society’s inequalities.

 

Instances of these kinds of erasure are quite widespread. In music, Elvis Presley is a vivid illustration; Jackson alerts us to instances of erasure in the culinary world, too. Hattie B’s Hot Chicken, a white-owned restaurant based in Nashville, has become the embodiment of this distinctively Nashville cuisine. But as it turns out, Black-owned restaurants—Prince’s Hot Chicken Shack and Bolton’s Spicy Chicken and Fish—are responsible for its creation and existence. When the mainstream culinary outlets got wind of it, Prince’s and Bolton’s were all but erased from the picture. What makes both of these cases instances of racial fraud is the consuming of the cultural productions of the group coupled with the erasure of that group’s contribution. Apportioning credit to the Elvises and Hattie B’s of the world rests on a fraud, a fraud perpetrated by the erasure of someone else.

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Beyond these two types of racial fraud, however, there is a third type—less often discussed, but perhaps most consequential—that has to do with one’s relationship to one’s own history. By “history” I don’t mean exclusively, or even primarily, a person’s particular history, but more so corporate or social history: the kind of thing a person is a part of with others in virtue of being identified in a particular way. There are narratives that provide a unified sense of the various happenings to a group of people who evolve over time. But the sense of history I have in mind is slightly different. It is the notion of history found in James Baldwin’s essay “Unnameable Objects, Unspeakable Crimes” (1965):

History, as nearly no one seems to know, is not merely something to be read. And it does not refer merely, or even principally, to the past. On the contrary, the great force of history comes from the fact that we carry it within us, are unconsciously controlled by it in many ways, and history is literally present in all that we do. It could scarcely be otherwise, since it is to history that we owe our frames of reference, our identities, and our aspirations.

The presence of this history in our present, its impact on our frames of reference and identity, is crucial to the third type of racial fraud.

There are at least two versions of this type. The first is exemplified by the incident last year in New York City’s Central Park when Amy Cooper, a white woman, called the police on Christian Cooper, an African American man (no relation, despite the common last name), after he asked her to leash her dog. Amy became more and more irate in response to Christian’s insistence that she leash her dog. She became so upset that she called the police and claimed Christian threatened her, making sure to emphasize that he was “an African American man.” Amy signaled the urgency of the situation in her voice, sounding agitated and fearful.

What preexisting ideas and practices did Amy have available to her to make her think her indignation over being told to leash her dog was a violation worthy of police intervention and to lead her to emphasize the perpetrator was an “African American male”? It is the latter thing that is most revealing. Amy’s inclination to point out Christian’s African American maleness drew—consciously or not—on an understanding of the world as one in which African Americans stand in a particular kind of relationship to white people. Christian was out of line, out of place, in calling Amy’s attention to the park’s rules and insisting she follow them. Given the kind of person she is, as well as the kind of person he is, this was especially egregious.

The basis of white identity is a “lie of their history,” a lie used to justify dominating others.

This understanding of the world presumes a natural relationship of ruler to ruled, reminiscent of the one Aristotle describes in his Politics. To be sure, Amy Cooper and many others would likely deny believing anything like this, but her reflex to act this way hints at something present practically, almost like muscle memory. I think that Amy’s actions can possibly be linked to what Baldwin might say is her belief in being white. In “On Being ‘White’ and Other Lies” (1984), Baldwin details the fraud of those who “believe they are white.” In a powerful passage, Baldwin registers a catalog of the effects of white racial fraud:

Because they think they are white, they do not dare confront the ravage and the lie of their history. Because they think they are white, they cannot allow themselves to be tormented by the suspicion that all men are brothers. Because they think they are white, they are looking for, or bombing into existence, stable populations, cheerful natives and cheap labor. Because they think they are white, they believe, as even no child believes, in the dream of safety. Because they think they are white, however vociferous they may be and however multitudinous, they are as speechless as Lot’s wife—looking backward, changed into a pillar of salt.

Baldwin points out that the “price of the ticket” for Europeans immigrating to the North American continent was to become “white.” What this meant, in essence, was leaving behind their history as English or Spanish or German to forge something different. But this newly forged whiteness was so monstrous that it became necessary to misrepresent it as something else—something grander, superior, innocent.

This kind of racial fraud differs from the others in that those perpetrating it do not attempt to pass themselves off as a member of another race or attempt to pass off as their own the cultural traits or mannerisms of another group. Instead, perpetrators of this fraud commit to something so disturbing that it becomes necessary to hide it even from themselves. The basis of their identity is a “lie of their history,” a lie used to justify dominating others. A stark example of this phenomenon is arguably present in our current political context. The election of figures like Donald Trump reflects, at least in part, the desperation of some to hold onto whiteness. It is as Baldwin noted: “Just so does the white community, as a means of keeping itself white, elect, as they imagine, their political (!) representatives. No nation in the world, including England, is represented by so stunning a pantheon of the relentlessly mediocre.”

A second manifestation of this type of fraud is highlighted in Frantz Fanon’s Black Skins, White Masks (1952). Fanon considers the case of an Antillean who spends time in the French metropole getting educated and then returns to his homeland with a new outlook, one that has him looking down on his fellow Antilleans with disgust:

All colonized people—in other words, people in whom an inferiority complex has taken root, whose local cultural originality has been committed to the grave—position themselves in relation to the civilizing language: i.e., the metropolitan culture. The more the colonized has assimilated the cultural values of the metropolis, the more he will have escaped the bush. The more he rejects his blackness and the bush, the whiter he will become.

The fraud in this instance is in the colonized believing the deceptive history of the colonizer. The colonized Antillean who goes to France for a “civilized” education and believes the terrible lies told about him and his descendants has failed to confront his history honestly and has identified himself with a fraudulent identity. Once again, the basis of this racial identity is a lie, and to behave on the basis of that lie is to perpetrate a fraud.

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The pervasiveness of the third type of racial fraud is a grave problem. Addressing it is much more difficult because it is less detectable, even by its perpetrators. It is not just dyed-in-the-wool racists, confident in their superior racial stock, who are racially fraudulent. The good white liberal is also guilty of this kind of fraud. That is, good white liberals also believe they are white. Amy Cooper’s political contributions to Barack Obama, Pete Buttigieg, and John Kerry suggest she identifies politically as a liberal.

While the Krugs, Dolezals, and Vitolo-Haddads attract all of the media attention, the focus on figuring out what motivates their behavior provides a neat scapegoat on which to load all of our anxieties, fears, misgivings, and disdain. Doing this allows us to avoid confronting turbulent histories that become repressed and, in turn, produce fraudulent identities that become the basis for destructive behavior.

Perhaps the fire James Baldwin foresaw in 1963 will be set by those who have had so much practice setting things ablaze.

Our present is full of such instances of destruction, as is our past. Rosewood, a small Black town in northern Florida, was burned out of existence in 1923 all in the service of protecting whiteness. As the story goes, a white woman, Fannie Taylor, was sexually assaulted, allegedly by a Black man. Sarah Carrier, a Black woman employed as a domestic worker by Taylor, remembered things differently. Carrier and her granddaughter were in the back of the house that day, preparing to wash clothes, when they saw a white man—an engineer who worked on the railroad and rumored paramour of Taylor—enter the house. Taylor and her lover apparently got into a heated argument that became physical. Carrier and her granddaughter both heard the altercation and saw him subsequently run from the house. Taylor then made her way into the street, screaming that she had been attacked by a Black man. What ensued was a rampage that resulted in the burning of the town and the lynching of several residents. (Estimates of how many were killed vary, with an official death toll of 8 but claims of up to 200.)

The massacre at Rosewood was made possible by the belief of so many that they were white. The need to protect “the purity of the white woman” from the advances of the ravenous Black man was a pretense used to lynch countless numbers of people. The belief in an identity boasting purity and superiority instigated murderous behavior that has created and sustained various inequalities in our land till this day. As we saw last week, when hundreds of white Trump supporters staged a violent insurrection at the U.S. Capitol, it is the need to protect this fraud at all costs—the ultimate fraud of whiteness—that imperils not only the vulnerable other, but everyone. What happens when reality comes crashing down and the fraudsters realize the scam cannot be maintained? In 1963 Baldwin spoke of the fire to come if America did not heed the warning of the oppressed and turn from its wicked ways. Perhaps the fire Baldwin foresaw will instead be set by those who have had so much practice setting things ablaze.

Source: Whiteness Is the Greatest Racial Fraud | Boston Review

White Backlash Is Nothing New – The Atlantic

A group of black marchers protesting school-board policies is met by white counterprotesters during a double demonstration in Memphis on August 31, 1963.
A group of black marchers protesting school-board policies is met by white counterprotesters during a double demonstration in Memphis on August 31, 1963.BILL HUDSON / AP

The word backlash gained popularity in the summer of 1963, when, after dallying on the issue for the first two years of his presidency, President John F. Kennedy proposed significant civil-rights legislation. In response, the word, which had primarily denoted the recoil of a fishing line, was repurposed, usually as “white backlash,” to refer to opposition to the increased pace of African American civil-rights activism or the Kennedy (and, after his assassination in November 1963, the Lyndon B. Johnson) administration’s legislative proposals and executive actions, or both.

In 1966, a commentator, speaking of “the grand new word, backlash,” claimed without much exaggeration that “just about everything that happened could be (and was) attributed to some form of backlash.” The word came to stand for a topsy-turvy rebellion in which white people with relative societal power perceived themselves as victimized by what they described as overly aggressive African Americans demanding equal rights. Backlash, as the New York Times columnist Tom Wicker wrote, “is nothing more nor less than white resentment of Negroes.”

Moving beyond an opposition to civil rights, the word backlash—less frequently qualified as “white”—quickly became a synonym for a new and growing conservative force, signifying a virulent counterreaction to all manner of social movements and cultural transformations that became central to American politics. Over time, observers noted manifestations of this reaction in a “Southern backlash,” a “male backlash,” a “heterosexual backlash,” a “property tax backlash” and a “backlash against environmentalists.” Just a month after the passage of the Civil Rights Act, a journalist described the United States as being in the midst of “a multitude of backlashes.” But as one commentator pointed out, “The word which gave rise to all sorts of other ‘lashes’ was coined in reference to white opposition to Negro gains.”

During Reconstruction, opponents of the black-freedom struggle deployed preemptive, apocalyptic, slippery-slope arguments that have remained enduring features of backlash politics up to the present. They treated federal support for African American civil rights, economic and social equality—however delayed, reluctant, underfunded, and incomplete it may have been—as a cataclysmic overreaction and framed it as a far more dangerous threat to liberty than the injustice it was designed to address. In 1867, not even two years after ratification of the Thirteenth Amendment, the Brooklyn Daily Eagle decried the placement of political power “in the hands of a property-less and ignorant class of the population,” and pronounced that “the pending Reconstruction scheme must be abandoned.”

Since then, such framing has done more than merely shape the politics of reaction in the United States; it has also constrained putatively supportive political leaders, who live in fear of setting off backlashes. Responding to a moderate plan to enfranchise only free blacks in Louisiana in 1864, the Union general Nathaniel P. Banks, worrying about a negative response from the state’s whites, who were being defeated in the Civil War, said, “Revolutions which are not controlled and held within reasonable limits produce counter-revolution.” That obeisance to a defeated group in 1864 was an extreme version of a general pattern that has remained a hallmark of backlashes ever since: solicitousness to white fears.

For many white backlashers in the 1960s, the era of what the historian C. Vann Woodward called the “second Reconstruction,” the first Reconstruction remained a negative model. They viewed its reform as overly fast-paced, and felt that it foregrounded black civil rights at the cost of white people’s peace of mind. They associated civil-rights activism with what popular historians and commentators of the day called the “excesses” of Reconstruction, by which they meant a combination of “militant” African American demands for basic equality with overweening, aggressive, and hasty federal action in support of interracial democracy. Thurman Sensing of the Southern States Industrial Council, a conservative business group, described the civil-rights movement in 1966 as an effort to force “the Reconstruction of American customs,” showing the degree to which the post–Civil War campaign for racial equality remained a central metaphor for white backlashers. The journalist in December 1963 who noted the political power of those opposed to “Negro pressure for equal opportunity and the Federal Government’s pace on the Civil Rights front,” could just as easily have been describing the origins of the counterrevolution of the 1870s.

What is particularly noteworthy is that the white backlash in this case was in place before the passage of the Civil Rights Act in July 1964. The pattern is this: American reactionary politics is nearly always preemptive, predicting catastrophe and highlighting potential slippery slopes. “White backlash,” after all, got its name in 1963, just months after African Americans in Birmingham risked attacks from police dogs and high-pressure fire hoses in order to demand justice, and immediately after Kennedy mooted the idea of substantive legislation—both events taking place well before the Civil Rights Act became law. What one reporter called “white panic” was driven by fears of “favoritism” and “special privileges” for African Americans—that white “workers would be forced out of their jobs to make way for Negroes,” as one article put it that year, when Jim Crow still prevailed. “Many of my people think the Negroes want to take over the country,” a midwestern Republican politician said in a Wall Street Journal article published on April 10 of the following year, still months before the Act’s passage. “They think there are things in the bill that just aren’t there, like forced sales of housing to Negroes and stuff like that.” White backlashers imagined coercion where it did not exist. They embraced a lexicon and posture of victimization that hearkened back to the era of Reconstruction and anticipated the deceiving, self-pitying MAGA discourse that drives reactionary politics in Donald Trump’s America.

Residents of Levittown, Penn., are shown during a rally to protest plans by William Myers, a black man, to move into a home in the all-white community of 60,000 persons, Aug. 17, 1957.  (Bill Ingraham / AP)
Residents of Levittown, Pennsylvania, are shown during a rally on August 17, 1957, to protest plans by William Myers, a black man, to move into a home in the all-white community of 60,000 people.  (Bill Ingraham / AP)

Since reconstruction, many backlash campaigns have imposed a politics of white fragility and frustration onto racial-equality struggles. Reporting on the “hate vote” in The Saturday Evening Post, in October 1964, one month before the presidential election, Ben H. Bagdikian highlighted the “churning, emotional conflict within each voter,” by which he meant white people. He noted that the backlashers “are not against a better life for the Negro, but they are strongly against this being achieved at the cost of white tranquility.” The elevation of “tranquility” over equal justice for all was a hallmark of backlash discourse, which ranked white feelings over black rights.

Backlashers understood civil rights as zero-sum, and therefore treated campaigns for African American equality as an inexcusable undermining of what they saw as deserved white privileges and prerogatives. A New York Times poll revealed, in condensed form, the emotional landscape of the white backlash: “Northern white urbanites have no sympathy for the Negro’s plight, and believe the Civil Rights movement has gone too far, while a considerable percentage believes Negroes ‘don’t appreciate what we’re doing for them.’” The extension of sympathy, such as being in favor of a “better life for the Negro,” was, then, conditional on personal convenience and easily withdrawn. “In general, the persons interviewed were mildly in favor of a better break for Negroes—as long as it wouldn’t affect them personally,” the reporter Dave Allbaugh observed in 1963.

White backlashers did not just wallow in their fear, anger, and resentment. In broadcasting these feelings widely, they shaped the limits of acceptable reform. Recommending a “go-slow course,” they could extend sympathy or not, and sought to determine when equal rights crossed the line into “special privileges.” A reporter noted “the apprehension of suburbanites and others in white neighborhoods that their residential areas will face an influx of Negroes.” In this worldview, whites presented themselves as victims, the crimes perpetrated against them by campaigns for equality were anxiety, inconvenience, and fear. Long before the passage of the Civil Rights Act, a politician told the Post’s Roberts in October 1963, “For the first time, I’m getting mail from white people saying, ‘Wait a minute, we’ve got rights too.’” The “too” was especially telling because at that time a large number of African Americans still lacked federal protection for basic civil and voting rights.

The reporting on the backlash foregrounded white fears and anxieties in a way that coverage of African Americans rarely did. Jerry Landauer’s April 1964 report for the Wall Street Journal highlighted white people’s “emotion-laden struggle,” appropriating even the word struggle to describe the psychological challenges for white Americans of adjusting to the possibility of racial equality. Landauer noted “the intense resentment of large blocs of whites in the North,” which was amplified by the likelihood that the Civil Rights Act might actually become law (which it did in July). “To them, the bill has become a symbol of fear—fear of losing jobs to Negroes; fear that neighborhood schools will be flooded by Negro kids ‘bussed in’ from across town; fear that homeowners will be forced to sell, if they wish to sell at all, to Negro newcomers.” These were fears of the consequences of African American equality, framed as unfair victimization.

Throughout what we might call the “backlash era,” African Americans offered a clear-eyed analysis and robust critique of backlashes and white defenses of them, taking them to be, as the ex-baseball star and longtime activist Jackie Robinson put it in a 1966 New York Amsterdam News article, “a great big fat alibi for bigotry.” Whereas many white observers in the early 1960s highlighted the novelty of white backlash, Martin Luther King Jr. more accurately called it “a new name for an old phenomenon” that “had always existed underneath and sometimes on the surface of American life.”  Langston Hughes wrote a poem, “The Backlash Blues,” which Nina Simone later set to music and recorded.

Members of the Arkansas-based white-pride organization White Revolution protest on May 21, 2005. (David S. Holloway / Getty)

Perhaps Lorraine Hansberry most directly put her finger on the issue in a June 1964 talk titled “The Black Revolution and the White Backlash,” which she gave at the Town Hall in New York City. She spoke during an event organized by the Association of Artists for Freedom, a group of African American artists and intellectuals, about two weeks before the passage of the Civil Rights Act. Pointing to the long history of the black-liberation struggle, Hansberry said, “The charge of impatience is simply unbearable.” Her request to the “white liberal to stop being a liberal and to become a radical” was largely a call for those liberals to recognize that the true victims of racism were not resentful white Americans but African Americans demanding equality.

But, as Johnson was also well aware, the forces of backlash were far from defeated. “I think we just delivered the South to the Republican Party for a long time to come,” LBJ told Bill Moyers, his press aide, shortly after he signed the Civil Rights Act. With the hindsight that history offers, we can see that Goldwater’s campaign was less a sign of the backlash’s vanquishing than a harbinger of modern conservatism. In 1966, the influential columnists Rowland Evans and Robert Novak called white backlash “a permanent feature of the political scene,” where it has remained ever since.

Using the same phrase that General Banks had employed a century earlier, but to different purposes, a columnist wrote that the proper way to understand white backlash was as “a counter-revolution against the black man.” Counterrevolution is a phrase that Americans rarely use to describe our politics. But it is not unfair or inaccurate to apply this label to white backlash, whose explicit goal was to slow or halt the civil-rights revolution.

The backlashers lost a number of key political battles in the 1960s, the decade in which they got their name. From Reconstruction to the New Deal, they had been vanquished before, and they’ve been defeated more recently, too, in a variety of areas—LBGTQ rights, for example. But both before and since, the preemptive politics of grievance and anti-egalitarianism they championed, whereby the psychology of privilege takes center stage while the needs of the oppressed are forced to wait in the wings, has left a deforming and reactionary imprint on our political culture. It has done so not just by emboldening reactionaries but by making the fear of setting off backlashes a standard element of the political conversation.

Neo-Nazis, members of the alt-right, and white supremacists take part in a “Unite the Right” rally in Charlottesville, Virginia, in 2017.* (Zach D Roberts / NurPhoto via Getty)

Consider, as examples, when last year the economist Larry Summers tweeted about the dangers of a wealth tax “boomerang,” and David Brooks warned about the “ugly backlash” that would likely follow an impeachment trial. Or, in a similar vein, when the columnist Ross Douthat wrote that if the Democrats adopt the Green New Deal, it “will empower climate-change skeptics, weaken the hand of would-be compromisers in the GOP” and “possibly help Donald Trump win re-election.” In this way, backlash politics has become a constraint on modern liberalism.

The backlashers have been out in force at recent anti-social-distancing protests, which have been dominated by white people proclaiming that public-health measures to prevent the spread of COVID-19 are robbing them of their birthright of liberty. Making the connection to prior backlashes explicit, some protesters have waved Confederate flags and held signs that read give me liberty or give me death. While in some ways laughable, given their complaints about being unable to get a haircut or having to “get two iced teas in the drive thru,” some of the protesters also incite fear, with their ostentatious weapon-wielding and threats of violence, to say nothing of their willingness to potentially infect others with the coronavirus. Drawing upon the template of the backlashes of earlier historic moments, these protesters, too, combine the paranoia and insecurity that have long warped our political culture with acclamations of freedom for some at the expense of freedom for all. As during Reconstruction and the civil-rights era, we face once again the danger that a politics of freedom and equality may be eclipsed by the psychology of white resentment.


* A photo caption in this article previously misstated the date the photo was taken. It is from the 2017 “Unite the Right” rally in Charlottesville, Virginia.

Lawrence B. Glickman is a history professor at Cornell University. He is the author, most recently, of Free Enterprise: An American History.

Source: White Backlash Is Nothing New – The Atlantic

The Art of Being Black in White Spaces – Human Parts

Lesson #1: “You black (and that’s a problem).”

Historian and civil rights activist W.E.B. Du Bois also discovered his blackness — and its undesirability — at school. After a white girl refused to accept his greeting card during a class-wide exchange, “it dawned on me with a certain suddenness that I was different from the others… shut out from their world by a vast veil.” There’s a beautiful, melancholy animation of this passage in CNN’s video “The First Time I Realized I Was Black,” a compilation of black people recalling how they discovered they were black, and what exactly that meant. The stories range from darkly comic — Baratunde Thurston swimming at a campsite and not realizing the white kid shouting, “There’s n — s in the water!” was referring to him and his friend — to heartbreaking, like news commentator Van Jones’ raw account of finding out that his white classmates, who he considered friends, had all spit into his Coke when he wasn’t looking. A common theme throughout these stories is the cavalcade of emotions that this new knowledge elicits: dawning realization, confusion, anger, sadness, discomfort.


White spaces can be defined as having an “overwhelming presence of white people and… absence of black people,” writes sociologist Elijah Anderson, though most are no longer explicitly anti-black. They are, however, fluid. Everything from desegregation and civil rights to upward social mobility and media portrayals of black people have recast the borders of white spaces and, in doing so, defined new ways that blackness is unacceptable within them.

That brings us to lesson two, in which we learn the myriad ways blackness can be undesirable. This is painful but essential to the Art of performing in white spaces. It took me considerably longer to learn than the first lesson, but hey — white folks are nothing if not patient when teaching this stuff.

I tell a white boy in church that I don’t want to sit by a boy; he counters with, “Well, I don’t want to sit by a black person,” and runs away. I confess to a friend that I have a crush on her brother and she explains that, in her family, they don’t date outside their race. A kid from youth group who has never seen anything remotely resembling an actual ghetto proclaims my suburban apartment complex “the ghetto,” presumably because black and Latinx people are present and single-family homes are not. I attend a party at some random guy’s house with a coworker, and the host explains race to me by quoting Chris Rock: “There’s black people, and there’s n — — s.” Twenty years later, I still panic and urgently want to flee when white people reference stand-up or start telling jokes.

Backhanded compliments, often about my hair, prove another effective teaching tool. I straighten my hair before work. “You look so professional today,” my boss says enthusiastically. “You finally found someone to do your hair,” a colleague at my seasonal side hustle says when I show up with braids.

But the really fucked-up “compliments” come from white people who love you. My dad and I have both had close friends tell us some version of, “You’re not like the other black people,” or, with laughing approval, “You may be black on the outside, but you’re as white as me on the inside.” Because whiteness is aspirational and we are the black exceptions that prove their racist rule.

In some ways, Dad and I are lucky. We generally talk the “right way.” We have advanced degrees. We like stuff white people like, such as NPR, Mad Men, and expensive sandwiches. This means we have fewer hoops to jump through before white people feel safe around us. And make no mistake: The primary purpose of the Art is to make white people feel safe. Because when white people feel unsafe, they are unsafe for black people to be around.


Black Americans have always had to perform this balancing act: staying true to their identity while prioritizing the comfort of white people. In 1896, poet Paul Laurence Dunbar wrote of “the mask that grins and lies,” which black people don to conceal the pain of their lived experience from white people. Later, Du Bois spoke about the “double-consciousness, this sense of always looking at one’s self through the eyes of others.” Anderson, in his 2015 article “The White Space,” refers to the “dance” and being “on” to describe assimilating to white expectations of appearance and conduct.

Being black in white spaces is a subtle and imprecise Art: performative, yet largely invisible to its intended audience. And code-switching is its bread-and-butter. Originally a linguistic term to describe how polyglots mix and match languages according to context, today, code-switching is more about changing appearance, behavior, and speech to accommodate the social norms of a specific setting. (Note: when white Americans do this, say, by living overseas or volunteering someplace poor, it’s an empathy-building, cross-cultural experience they can use to spice up college essays and wow in job interviews. Black and brown people spend a lifetime doing exactly the same thing and precisely no one is impressed, much less hiring us because of it. But I digress…)

Now I know that unless I switch up my code, keep my voice low and calm, I come off as the Angry Black Woman.

Black people code-switch to keep white people from associating us with negative stereotypes they absorbed from the news, pop culture, other white people, or their own imaginations. It’s how we avoid coming off “too black.” I first observed this with my dad. He talked differently when we visited Grandmommy’s house in D.C. than when he was with his graduate school colleagues. The way he talked at home was somewhere in between.

In addition to avoiding AAVE, black women are required to code-switch their tone and appearance, particularly in white workplaces. For years, I didn’t understand why white women in particular thought I was combative and argumentative, responding to me as though I were overreacting about everything. Now I know that unless I switch up my code, keep my voice low and calm, I come off as the Angry Black Woman.

Successful code-switching is a double-edged sword. On the plus side, it affords access and opportunities to advance in white spaces, and white people are less likely to call the cops on you. The downsides: other black folks think you’re too white. Just ask ObamaKamala, and Drake, whose “black enough” status is always under fire. More seriously, research associates constant code-switching with negative psychological effects, including performance anxiety, embarrassment when you get it wrong, and the stress of reconciling dual identities. This is especially problematic at work, because at work you have other shit to do besides fitting in.

I personally don’t find code-switching that draining. My personality is wired for variety, and I’m comfortable embodying different versions of myself. Also, apart from the odd in-person, part-time gig, I freelance, so I don’t feel the pressure to code-switch for acceptance or advancement. Ever since Trump got elected, the real emotional labor for me has come from maintaining non-professional relationships with white women, which any black woman will tell you is an Art in and of itself.

White people of the progressive persuasion seem to be talking about race more, and in different ways, than they did pre-Trump. Many are absolutely doing the hard work of examining their privilege and implicit bias. But there’s also this panicked, self-serving need to disassociate from the racism and bigotry displayed by the people running the country.

They’re terrified of being called racists, which results in virtue signaling — particularly on social media: hashtags like #notallwhitewomen and posts about cutting off racist friends and family abound. (Good thinking, white person! Cut them off and save yourself the discomfort of ever having to talk to them about race! I’m sure they’ll probably stop being racist on their own!)

I keep finding myself in conversations where white people denounce racists without actually embracing anti-racism. When I bring up elements of my lived experience or an opinion that diverges from theirs, I’m met with blank stares, dismissal, or defensiveness. If I share about a time I felt othered because of my skin color or hair, white women tell me about when they had “the same experience,” completely ignoring the fact that black bodies have been othered for centuries while their European features are nearly universally prized. Anti-racism requires white people to de-center their own thoughts and feelings — including their sadness and discomfort — and prioritize those of POC. Instead, POC are increasingly asked to be “racial confessors” and unpaid educators for well-meaning white folks trying to work through their own whiteness, unfair asks that force us to relive trauma for white people’s benefit.


Igrew up in white neighborhoods, went to white churches, worked in white offices and, later, joined the expat community, a rarified white space made up primarily of North Americans and Europeans who choose to live outside of their country of origin. My dad is the only consistent black presence in my life, and we’ve never really discussed race, identity, and privilege in terms of our lived experience. As a result, I’ve only recently developed a vocabulary to unpack what it’s like to be black in white spaces. Isolated incidents that “just didn’t sit right” — e.g. casual use of the word “lynching” in conversation, my dental hygienist touching my hair while cleaning my teeth — were actually microaggressions. I got an art history degree without studying a single black (or POC) artist not because there weren’t any, but because white supremacy keeps our images and stories from being considered universal. (That’s erasure!)

White people feel safe around me. But I never learned how to be safe around them.

I can finally honor the truth that I live with trauma inflicted upon me by white people because of my blackness — as do all black people in America. Some have experienced blatant and immediate trauma, old-school racism like police brutality or violent hate crimes. My privilege is that I’ve mostly encountered #21stCenturyRacism like implicit bias, microaggressions, and white fragility. Still, these everyday injustices have cumulative psychological and emotional effects, especially in combination with intergenerational trauma. Sometimes, I’m drawn in and repulsed by the exact same white person who, in a single conversation, will follow a random act of wokeness with the n-word (yep, even inside quotes, it’s still problematic) or their thoughts on black poverty. This creates a push-pull dynamic that makes me feel brittle and tired.

I aced the lessons about not being “too black” for white people and turning microaggressions into humorous-yet-teachable moments. White people feel safe around me. But I never learned how to be safe around them. So now I’m teaching myself. I’m giving myself permission to say “no,” without explanation, to people and activities that sap my emotional bandwidth. I’m seeking out other WOC to confide in and gobbling up content by black writers and artists to counteract over-exposure to whiteness, particularly the unacknowledged privilege wielded by so-called allies. I’m challenging myself to unabashedly tell my truth, because it is my truth. This is radical self-care, and I’m learning that it is the real Art of being black in white spaces.

Source: The Art of Being Black in White Spaces – Human Parts

The Myth of Irish Slavery: A History of One of the Alt-Right’s Oldest Memes :::

inverseIn July 15, comedian Josh Androsky tweeted a video of a Proud Boy, a member of the alt-right men’s group started by Vice co-founder Gavin McInnes, claiming that the Irish were enslaved.

“Irish people were slaves just like the fucking black people,” said the young man in a MAGA hat.

The statement, while probably jarring to most, is derived from a common alt-right myth and is yet another instance of fringe conservatives molding history into white supremacist propaganda. What makes this myth particular interesting is its own peculiar history: It was one of the first right-wing memes to be spread on the early internet.

One of the Oldest Memes on the Internet

Liam Hogan is a historian and researcher who has spent the past five years studying and debunking the Irish slavery myth. According to him, one of the seminal figures propagating the theory is Michael A. Hoffman II, who first spread his ideas on internet newsgroups in the 1990s. Hoffman’s perhaps most well known for his 1993 book They Were White and They Were Slaves: The Untold History of the Enslavement of Whites in Early America, a self-published title that was harshly criticized by academics, and like many alt-right mythologies, is still available on Amazon today.

Hoffman's book.
Hoffman’s book is still on Amazon.

That book has gone on to be the cornerstone of the Irish slavery myth, which according to Hogan, was ultimately concocted for nefarious purposes.

“The far-right embrace of the false equivalence inherent in the ‘Irish were slaves, too’ meme is not an attempt to assuage guilt,” Hogan wrote in an email to Inverse. “It is instead a blatant bid to support pre-existing anti-black racism.”

The myth was a common sight on white supremacist websites and message boards in the early 2000s, but Hogan noticed a sharp uptick in searches for “Irish slaves” between 2014 and 2016. It got so bad that 82 Irish researchers and writers (including Hogan) wrote an open letter excoriating the myth and urging publications to stop quoting conspiracy theorists.

Were the Irish Actually Slaves?

Brooks slave ship diagram
A diagram of the slave ship, Brooks. No Irish servant ever arrived to America like this.

The Irish have suffered many injustices in America from nativist resentmentjob discrimination, and religious bigotry. But they were never enslaved.

A small number of Irish arrived in the Americas as indentured servants. While the life of an indentured servant was brutal, it was not at all comparable to the chattel slavery that Africans were subjected to.

For one, indentured servitude was conditional and temporary. Irish servants were released after their contracts were up (typically seven years).

African Americans, however, were literally classified as a slave race. In early American history, children of slaves could be born free if they had a white parent, but these laws were slowly stripped away so that anyone with African heritage would be classified as black and therefore a slave.

Moreover, the conditions in which they worked were completely different. African slaves were subjected to inhuman horrors that would have been unthinkable to commit against an Irish servant. Whippings, brandings, mutilation, and rape were common.

American slavery was shockingly cruel even by historical standards. Though the treatment of slaves varied widely throughout the ancient world, most of them were still entitled to some basic rights and many slaves were even highly educated. The Greek philosopher Epictetus, for example, was born as a slave and trained to be a teacher.

Why Is the Irish Slavery Myth So Persistent?

Twelve Years a Slave, 12 Years a Slave
An illustration of Solomon Northrup, author of the memoir ‘Twelve Years a Slave’. Northrup was born a free man but drugged and enslaved on the basis of his race.

If the myth of Irish slavery is so demonstrably false, then why does it continue to be an alt-right talking point? As Hogan mentioned, it’s used as a cudgel for anti-black racism, but it also upholds the white supremacist narrative of fighting against the world.

“The far-right also promote the ‘white slavery’ or ‘Irish slavery’ meme because victimhood is the propagandic engine room of ethno-nationalism,” Hogan told Inverse in an email. “White nationalism is fundamentally rooted in victimhood, whereby the dominant group in society takes the position of ‘the oppressed’ to justify violence against the ‘other.’”

The glaring dissonance of white supremacist rhetoric is the simultaneous belief that white people are a superior race despite claiming constant victimhood in being outwitted by supposedly inferior forces such as the liberal media and its Jewish globalist puppet masters.

Altering history and referring to the Irish as slaves is an attempt to solve that discrepancy. For white supremacists, if the Irish managed to rise above discrimination through hard work and ingenuity, then it must mean the other races are lazy or unworthy. It also means that white supremacists will ultimately prevail over their foes.

In truth, the Irish escaped systematic inequality through neither work nor drive — that’s an impossible feat for any group of people. The target was removed from their backs because they began to be understood as white, according to scholar Noel Ignatiev. In 1863, Irish rioters targeted hundreds of black workers during the New York City draft riots, furious over the prospect of fighting in a war to free black slaves. By actively working against abolition movements and aligning themselves with the nativists who originally opposed them, Ignatiev says the Irish were eventually inducted into whiteness.

Law professor David Bernstein also pointed out that, as far as the law was concerned, the Irish were always considered white. During segregation, Irish children attended whites-only schools and none of them were subject to Jim Crow laws. African Americans, Native Americans, and Chinese Americans could not testify against white citizens in court, but Irish Americans could.

Unfortunately, facts and contexts aren’t held in high regard within the alt-right. On a grander scale, White Americans as a whole have been resistant to the idea that systematic racism is an enduring feature in American government because of a phenomenon that sociologist Robin DiAngelo has dubbed white fragility. The combination of far-right groups to falsify history and the refusal to acknowledge institutionalized discrimination means that the Irish slavery myth isn’t going away any time soon.

The Irish Slavery Myth Moving Forward

Irish slavery myth, coal miners
One of the more popular Irish slavery memes. Hogan points out that these boys were child miners for Pennsylvania Coal Co. but not slaves. The photograph was taken in 1911 by investigator Lewis Hines.

Ultimately, the propagation of the Irish slavery myth can be linked backed to the perennial white fear of changing demographics. It’s an attempt to counteract the well-documented benefits that White Americans enjoy by claiming there was a time when whites supposedly suffered more than minorities. This notion of white victimhood seems to be a pervasive belief among most White Americans.

55 percent of White Americans believe there is discrimination against white people in America today, according to a poll jointly conducted by the Robert Wood Johnson Foundation and the Harvard T.H. Chan School of Public Health. Their beliefs are unfounded, yet it is the chief reason why the majority of white people across the board — from income level to gender — voted for Trump.

Racist anxiety has even altered the moral purity tests that white evangelicals once demanded from their chosen political candidates. In 2011, only 30 percent of white evangelicals were tolerant of elected officials who behaved unethically in their personal lives, according to a poll from the Public Religion Research Institute. In 2016, the same year Trump got elected, the number of white evangelicals expressing sympathy for immoral politicians doubled to a whopping 72 percent.

Whiteness has been a historical shield that has protected various groups from cultural and political bigotry, one that many White Americans believe will be forfeited if the country becomes less white. But unfortunately, a more diverse country doesn’t necessarily mean a more progressive one.

John Judis, a journalist who claimed that an increasingly diverse America would mean a less racist America, recanted his thesis after Donald Trump’s election. Judis and many other pundits believed that the rising numbers of interracial marriages and mixed-race Americans would lead to a more progressive country.

But in doing so, they vastly underesimated the flexibility of white supremacy. White people continue to be a majority power in the United States because of changing attitudes over who gets to be white and who doesn’t. The one-drop ruleapplied to Americans with African ancestry and the Irish induction into whiteness set these historical precedents hundreds of years ago.

As Judis pointed out, this has already been happening with some Asian Americans and Latino Americans. More than a quarter of both groups are in interracial marriages, the vast majority of which are Asian-White and Latino-White. Although the US census lists the children of these unions as Asian American and Latino American, more than 50 percent of biracial people from both groups identified as white. If this trend continues, then it’s unlikely that the United States will become a minority-majority country in the near future.

The Irish slavery myth is cribbing from an old playbook established by white supremacists years ago. The alt-right is simply the latest to do it by shitposting memesgaming Google results, and leveraging social media.

“These are the trademarks of Disinformation Age racism, the blanket denial of the existence of racism allied with feigned victimhood and the absolute obliteration of history,” Hogan said.

Jonathan D. Lee is a graduate of Columbia Journalism School. A lifelong competitive gamer, he’s written for Major League Gaming, 1337mag, GLHF Magazine, and the New York Videogame Critics Circle. He’s a big believer in Christian existentialism and mustard on hamburgers.

It’s Time To Call Out ‘Nice Racists’ And Their White Fragility | Huffington Post

We usually don’t call out our acquaintances and friends about their micro-aggressions towards us — probably because we know they’re fragile, and when we do correct them, there’s a large amount of white tears that fall and hit our shoes, shoes that are now soaked from the previous white person’s tears you just had a work meeting with.

When you think of a racist what pops in your mind? White supremacists? The KKK? You usually think of white people down south right? You know, the ones who have confederate flag bumper stickers, and hurl the N-word at Black people who cut them off while driving, or school districts that ban Black hairstyles. These folks are more of the poster children of racism.

I’m here to let you in on a little secret: You don’t need to write a resume for the new available seat in the Ku Klux Klan to be a racist. We’ve heard many times before that racism is taught, that it starts at home with our parents and caregivers. This is absolutely true, but racism is also in our school systems, the media, it even comes from the mouths of orange men running for president.

I’m sure your parents never actually said that you should cross the street when you see a black person walking on the same side walk as you, but you do it anyway because you’ve witnessed them do it. Or maybe you’ve seen hundreds of movies where the predator character was a black person, and over the years you took that theatrical scene into you’re reality, allowing your mind to swallow it whole.

Racism isn’t always angry and mean. I’s subtle, mild and, at times, friendly. It was your boss in that interview who was amazed at how intellectual you were, so amazed that he even prolonged the interview with concerning inquiries and assumptions:

“How did you manage to succeed in a low-income one parent household? Was it hard growing up without a father?”

It’s hopping on the train and seeing the sweet white lady scoot her belongings over and make room for a white person to sit down. Although five minutes ago you asked if the seat was taken, and she put on a Oscar-worthy performance about how sorry she is that it’s not available for your black body. Or the white friend who laughs and makes fun about racial stereotypes, but they insist its only a joke, to take them at their word, it’s not how they truly feel.

We usually don’t call out our acquaintances and friends about their micro-aggressions towards us — probably because we know they’re fragile, and when we do correct them, there’s a large amount of white tears that fall and hit our shoes, shoes that are now soaked from the previous white person’s tears you just had a work meeting with.

People of color are made to feel wrong and guilty when we voice our pain and correct our white counterparts. We avoid these racial stress related topics because the guilt you feel from hurting us, form into fear and anger. Instead of an apology, you defend your character and explain repeatedly how nice you are, you use your white tears as a weapon. Suddenly, a knife is pointed at me, and I’m the bad guy.

You’ve gone on and on for hours to tell me that I’ve hurt your feelings. Well, you know what? It’s a privilege to only get your feelings hurt after being called a racist, rather than experiencing racism itself.

We’ve been conditioned to think that racism and being a nice person can’t go hand and hand. We have to start realizing that racism is built in this society, it’s a dangerous and violent system that oppresses people of color in more ways than just a white supremacist group. You don’t have to wear a white hood and hate black people to play into stereotypes and racist undertones.

Yes, you’re a kind person — we all love your joyous smile — but one day, you’ll be confronted and have that talk with a black friend about an offensive status you wrote or that comment you made at dinner. Don’t start to defend your character or your intentions. Wipe your tears. You shouldn’t be the one hurting right now.

Don’t make this about you.

Don’t put your fear over my pain.

Don’t make my feelings less important than your anger.

While you’re still here, and still crying, I should also add that I don’t really appreciate your reaction to MY hurt feelings. Quite frankly, I find it to be abusive. To flip the script, shed tears, and make me feel horrible, horrible to the point where I lose focus on myself, (the person who’s truly offended), to comfort you.

My entire existence as a black person is to make white people comfortable, to coddle your feelings and never tell you that you’ve hurt me — the least you can do is apologize, take responsibility and own up to your offense, try harder, learn from this.

We’re not always aware of what we’re taking in from the world, but it influences our behavior and actions, regardless if we’re nice people. It doesn’t matter if the racism you endured was intentional or not, just know that racists don’t always appear as evil and violent. It’s inviting, it’s friendly, it’s simple, and at many times, it’s produced by the nicest of people.

Source: It’s Time To Call Out ‘Nice Racists’ And Their White Fragility | Huffington Post

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