Morrison though was also savvy enough to understand that this would not be enough to motivate Random House to publish her list. Aware that Random House was diversifying authors and readership and that a successful book is also a profitable one (or vice versa), in meetings Morrison pitched book sales over political ideology: “I was not going to . . . disrupt anything. . . . the books were going to make [Random House] a lot of money!”All the while that she was at Random House, Morrison was not only honing her own craft as a novelist, but also as an essayist and critic.
While her fiction unquestionably has transformed the terrain of how we understand black subjectivity—through her unparalleled storytelling about the trials, terrors, and triumphs of black women—her nonfiction (in addition to her editing) also contributed significantly to black freedom struggles.In 1971 Morrison contributed an op-ed to the New York Times called “What the Black Woman Thinks About Women’s Lib” that would presage not only her artistic commitment to the unique status of black women, but also her lifelong engagement with both the promise and shortcomings of feminism:What do black women feel about Women’s Lib? Distrust. It is white, therefore suspect. In spite of the fact that liberating movements in the black world have been catalysts for white feminism, too many movements and organizations have made deliberate overtures to enroll blacks and have ended up by rolling them.