Du Boisian Double Consciousness and the Appropriation of Black Male Bodies in Jordan Peele’s ‘Get Out’ | The Society of Philosophers in America (SOPHIA)

Du Boisian Double Consciousness and the Appropriation of Black Male Bodies in Jordan Peele’s Get OutCivil American, Volume 4, Article 1 (April 16, 2019).

By Darrius Hills and Seth Vannatta |

The Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world,—a world which yields him not true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder. ~ W. E. B. Du Bois [1]

Source: Du Boisian Double Consciousness and the Appropriation of Black Male Bodies in Jordan Peele’s ‘Get Out’ | The Society of Philosophers in America (SOPHIA)

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